Olga Pashchenko & Il Gardellino - Mozart: Piano Concertos 6, 8 & 18 (2026) [Hi-Res]

  • 10 Feb, 20:09
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Artist:
Title: Mozart: Piano Concertos 6, 8 & 18
Year Of Release: 2026
Label: Alpha Classics
Genre: Classical
Quality: FLAC (tracks) / 24bit-192kHz FLAC (tracks+booklet)
Total Time: 01:13:25
Total Size: 399 MB / 2.73 GB
WebSite:

Tracklist:

1. Mozart: Piano Concerto No. 6 in B-Flat Major, KV 238: I. Allegro aperto (6:48)
2. Mozart: Piano Concerto No. 6 in B-Flat Major, KV 238: II. Andante un poco adagio (6:01)
3. Mozart: Piano Concerto No. 6 in B-Flat Major, KV 238: III. Rondeau. Allegro (6:51)
4. Mozart: Piano Concerto No. 8 in C Major, KV 246: I. Allegro aperto (7:42)
5. Mozart: Piano Concerto No. 8 in C Major, KV 246: II. Andante (7:59)
6. Mozart: Piano Concerto No. 8 in C Major, KV 246: III. Rondeau. Tempo di Menuetto (6:58)
7. Mozart: Piano Concerto No. 18 in B-Flat Major, KV 456: I. Allegro vivace (12:43)
8. Mozart: Piano Concerto No. 18 in B-Flat Major, KV 456: II. Andante un poco sostenuto (10:30)
9. Mozart: Piano Concerto No. 18 in B-Flat Major, KV 456: III. Allegro vivace (7:55)

Olga Pashchenko and Il Gardellino present a third recording of Mozart's piano concertos, following two volumes (Alpha 726 and 942) that were very well received by the press and the public: ‘The most exhilarating “authentic” Mozart I have ever heard,’ wrote The Spectator...

In January 1776, Mozart composed his Piano Concerto No. 6, followed by the Eighth in April. Then aged 20, he did not want to shock the aristocracy of Salzburg and wrote simple music, but music that transports us ‘to the calm gentleness of a paradise garden, in the manner of the Elysian Fields evoked by Gluck and Rameau', as Olivier Messiaen said.

Completed on 30 September 1784, Concerto K 465 remains shrouded in mystery as to when it was first performed. It is thought that Mozart premiered it in February 1785 in Vienna in front of his father Leopold, who wrote to his daughter Maria Anna that Wolfgang had triumphed and that the emperor took off his hat and exclaimed ‘bravo Mozart’!

As with all her recordings, Olga Pashchenko has chosen appropriate instruments, a copy of an Anton Walter fortepiano (ca. 1792) by Paul McNulty and a copy of a Spath & Schmahl tangent piano, (Regensburg, 1794) by Chris Maene.




  • olga1001
  •  23:14
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Nos. 6 & 8 (1776): Tangent piano (Späth)
No. 18 (1784): Fortepiano (Walter)

No. 18 is the best, hands down !
Nos. 6 & 8 are also brilliant but iffy for me, Tangent piano sounds between Harpsichord and Fortepiano ...


Mozart's Keyboard Concertos: Harpsichord (--> Späth Tangent piano) --> Stein Fortepiano (1777) --> Walter Fortepiano (1782)

When Mozart mentioned Stein in letter (1777), he referred also to Späth but from mechanism it's thought not about his Tangent piano but about a kind of his small Fortepiano (Pandaleon-Clavecin), not for Concerto ?
Piano Concertos Nos. 6-8 (1776) were composed for Harpsichord, Tangent piano or ??
But in 1777 Mozart knew Stein and played Piano Concertos Nos. 6 & 7 on it, then Stein is more suitable for these Nos. 6 & 8 ???


Orchestra is at the frontline of Period performance !

Thanks a lot