Natalia Rehling - Chopin in Vienna (2026) [Hi-Res]

Tracklist

01. Variations on Là ci darem la mano in B-Flat Major, Op. 2: I., Introduzione. Largo - Poco piu mosso
02. Variations on Là ci darem la mano in B-Flat Major, Op. 2: II., Thema
03. Variations on Là ci darem la mano in B-Flat Major, Op. 2: III., Var. I - Brillante
04. Variations on Là ci darem la mano in B-Flat Major, Op. 2: IV., Var. II - Veloce ma accuratamente
05. Variations on Là ci darem la mano in B-Flat Major, Op. 2: V., Var. III - Sempre sostenuto
06. Variations on Là ci darem la mano in B-Flat Major, Op. 2: VI., Var. IV - Con bravura (crossed out version)
07. Variations on Là ci darem la mano in B-Flat Major, Op. 2: VII., Var. V - Adagio
08. Variations on Là ci darem la mano in B-Flat Major, Op. 2: VIII., Alla Polacca
09. Variations on Là ci darem la mano in B-Flat Major, Op. 2: IX., Var. IV (final version)
10. Scherzo No. 1 in B Minor, Op. 20
11. Etude, Op. 10: No. 6 in E-Flat Minor
12. Nocturne, Op. 15: No. 2 in F-Sharp Major
13. Mazurkas, Op. 7: No. 1 in B-Flat Major
14. Mazurkas, Op. 7: No. 2 in A Minor
15. Mazurkas, Op. 7: No. 3 in F Minor
16. Mazurkas, Op. 7: No. 4 in A-Flat Major
17. Ballade No. 1 in G Minor, Op. 23

Polish‑Austrian pianist Natalia Rehling explores Frédéric Chopin’s music from his two formative stays in Vienna, in 1829 and 1830-31, revealing the composer’s early voice alongside mature reflections. With refined virtuosity and interpretative depth, Rehling illuminates both the familiar and the rarely heard — including two versions of Var. IV of the Variations on “ Là ci darem la mano” performed directly from Chopin’s original manuscript. From the impassioned Scherzo and expressive Étude Op. 10 No. 6 to the lyrical Nocturne Op. 15 No. 2 and rhythmically vibrant Mazurkas, she draws on Polish heritage and Viennese elegance to reveal Chopin’s expressive range with clarity, warmth, and vivid emotional sensitivity.

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