Molly Millington - Frank Morgan (2026) Hi-Res

Molly Millington is a genre-blurring Australian artist whose music fuses clever lyricism with a bold, country-pop flair.

Raised surrounded by nature, she found her creative spark early—writing songs at 14 and performing at festivals just two years later. Ten years on, Molly has built a reputation for her raw honesty, vivid storytelling, and an unmistakable sense of self.

Visually and stylistically, Molly has also come into her own, cultivating an aesthetic she calls “bandana chic”—urban cowgirl meets radical truth-teller. She’s your fearless best friend, saying what you’re thinking before you’ve even figured it out yourself.

Molly invites listeners into a world where transformation is constant, character is fluid, and embracing your full self flaws, feelings and all, is the ultimate act of power.

As someone who listens to their fair share of new music, there’s honestly not much better than seeing an artist you’ve followed on and off for a couple of years release a large body of work and absolutely crush it. In this instance, Molly Millington has gone about and released a debut album that’s one of the most fun debuts you’ll hear this year. Titled Frank Morgan, Millington’s album borders on sounds of country, straight up pop, sad balladry and some real sing-a-long moments; all delivered with a dry wit and sense of boundless fun.

Opening the album is single “Just Drive”, which incidentally feels like the perfect song to blast while fangin’ it down the highway. I have a theory that every album, irrespective of its genre, has a driving/highway song. I’m here to say “Just Drive” is the definitive answer to this theory on Frank Morgan. Up next is the sweet and soft country-adjacent “Your Villain”, with its subtly sincere chorus making it one of the better moments on the front end of the album.

The closing minute of “Death by a Thousand What Ifs” feels like the song that will one day be the perfect encore of a live set, while “My Man” is a sad ballad low on percussion that leans into an acoustic vibe. It’s another example of the range Millington has shown throughout all of her music since her earliest singles and easily shows why she’s had plenty of people backing her progress in recent years.