XDCVR - I HATE THAT SHIT, I HATE ALL THAT SHIT (2029)

Artist: XDCVR
Title: I HATE THAT SHIT, I HATE ALL THAT SHIT
Year Of Release: 2026
Label: OOH-sounds
Genre: Ambient, Avangarde, Drum & Bass, Experimental
Quality: 16bit-44,1kHz FLAC / 24bit-44,1kHz FLAC
Total Time: 32:51
Total Size: 169 mb / 336 mb
WebSite: Album Preview
TracklistTitle: I HATE THAT SHIT, I HATE ALL THAT SHIT
Year Of Release: 2026
Label: OOH-sounds
Genre: Ambient, Avangarde, Drum & Bass, Experimental
Quality: 16bit-44,1kHz FLAC / 24bit-44,1kHz FLAC
Total Time: 32:51
Total Size: 169 mb / 336 mb
WebSite: Album Preview
1. just because you don’t believe that i want to dance, don’t mean that i don’t want to (04:09)
2. Psalm 68 (22-35) (06:11)
3. cyber feminism index (01:43)
4. faithful and true (03:39)
5. crimes of the future (01:41)
6. rider on the white horse (04:55)
7. the royal arch (00:51)
8. best served cold (04:40)
9. OP1 dead (01:06)
10. AI FUTURR (03:56)
Anarcho-mountaineer, Gore-Tex voyeur, visual artist and electronic producer XDCVR_ unveils ‘I HATE THAT SHIT, I HATE ALL THAT SHIT’ a blistering sonic manifesto on the “performativity of decay.”
In a world saturated with digital perfection, the album emerges as a vital, hand-made act of electronic rebellion.
Framed as a “soundtrack for the end stretch” the record explores the notion that societal decay is not a passive process, but an active performance—a machine chugging along long after its wheels have fallen off.
This is cyborg music for a bifurcated reality: carbon-fiber toughness shielding a core of systemic rot. The sound palette is intentionally raw and imperfect, a direct challenge to the sterile, automated order of what the artist calls the “techno-fascist oligarchy.”
Tracks eschew conventional temporality, mirroring the feeling of existing in two concurrent timelines—one hyper-aware of the collapse, the other numbly consuming it.
Drawing a line from the Cold War anxieties of the past to the data-farming dystopia of the present, ‘I HATE THAT SHIT…’ posits art as the last authentic incubator for societal change. It is, in the artist’s words, “a deliberate ‘fuck you’ to the oppressive order of the status quo. This is not easy listening; it is a contested space, a lit fuse, and a necessary noise for our complicated times.
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