Vanessa Wagner - Figures of Glass (Piano Etudes - Edits) (2026) [Hi-Res]

Artist: Vanessa Wagner
Title: Figures of Glass (Piano Etudes - Edits)
Year Of Release: 2026
Label: InFiné
Genre: Classical
Quality: FLAC (tracks) / 24bit-44.1kHz FLAC (tracks)
Total Time: 38:51
Total Size: 100 / 298 MB
WebSite: Album Preview
Tracklist:Title: Figures of Glass (Piano Etudes - Edits)
Year Of Release: 2026
Label: InFiné
Genre: Classical
Quality: FLAC (tracks) / 24bit-44.1kHz FLAC (tracks)
Total Time: 38:51
Total Size: 100 / 298 MB
WebSite: Album Preview
1. Etude No. 1 (Edit) (4:37)
2. Etude No. 2 (Edit) (3:37)
3. Etude No. 3 (Edit) (2:29)
4. Etude No. 5 (Edit) (5:09)
5. Etude No. 6 (Edit) (3:27)
6. Etude No. 8 (Edit) (3:45)
7. Etude No. 10 (Edit) (3:27)
8. Etude No. 16 (Edit) (3:41)
9. Etude No. 17 (Edit) (5:24)
10. Etude No. 18 (Edit) (3:19)
With Figures of Glass (Piano Etudes – Edits), Vanessa Wagner offers a new listening perspective on Philip Glass’s Piano Études, shaping a curated selection of edited versions drawn from her acclaimed recording of the complete cycle. These edits do not alter the substance of the works; rather, they refine their temporal focus, revealing their emotional force with renewed clarity.
Conceived in parallel with Figures of Glass, a hybrid project developed with visual arts collective Scale, the release extends a dialogue between piano and light, sound and space. Between piano and light, Vanessa Wagner interprets Glass’s Études at the heart of a scenographic installation, exploring the visual imagination embedded in the composer’s music. Minimal structures become spatial gestures; repetition opens onto perception, colour, and resonance. Taken together, these edits form a coherent arc through Glass’s language: from tension and propulsion to suspension and introspection, from rhythmic urgency to contemplative stillness. Wagner’s approach is marked by precision, restraint, and a deep attention to resonance, allowing each piece to unfold with an assumed expressive sobriety.
Figures of Glass also exists as a live creation, presented for the first time in Paris at the Théâtre du Châtelet on April 7, 2026. In both recorded and staged forms, the project invites contemporary listening contexts — from focused headphone listening to immersive visual environments — while reaffirming the Piano Études as a major landmark of 21st-century repertoire. Bridging modern classical piano, minimalist writing, and spatial listening formats, Figures of Glass (Piano Etudes – Edits) speaks equally to traditional classical audiences and new listeners discovering Philip Glass through curated, editorial-driven experiences.
Conceived in parallel with Figures of Glass, a hybrid project developed with visual arts collective Scale, the release extends a dialogue between piano and light, sound and space. Between piano and light, Vanessa Wagner interprets Glass’s Études at the heart of a scenographic installation, exploring the visual imagination embedded in the composer’s music. Minimal structures become spatial gestures; repetition opens onto perception, colour, and resonance. Taken together, these edits form a coherent arc through Glass’s language: from tension and propulsion to suspension and introspection, from rhythmic urgency to contemplative stillness. Wagner’s approach is marked by precision, restraint, and a deep attention to resonance, allowing each piece to unfold with an assumed expressive sobriety.
Figures of Glass also exists as a live creation, presented for the first time in Paris at the Théâtre du Châtelet on April 7, 2026. In both recorded and staged forms, the project invites contemporary listening contexts — from focused headphone listening to immersive visual environments — while reaffirming the Piano Études as a major landmark of 21st-century repertoire. Bridging modern classical piano, minimalist writing, and spatial listening formats, Figures of Glass (Piano Etudes – Edits) speaks equally to traditional classical audiences and new listeners discovering Philip Glass through curated, editorial-driven experiences.