Curt Boettcher - Misty Mirage (2000)

Artist: Curt Boettcher
Title: Misty Mirage
Year Of Release: 2000
Label: Poptones
Genre: Sunshine Pop, Folk Rock, Soft Rock, Psychedelic
Quality: Mp3 320 / Flac (tracks)
Total Time: 01:06:16
Total Size: 196/458 Mb (scans)
WebSite: Album Preview
Tracklist:Title: Misty Mirage
Year Of Release: 2000
Label: Poptones
Genre: Sunshine Pop, Folk Rock, Soft Rock, Psychedelic
Quality: Mp3 320 / Flac (tracks)
Total Time: 01:06:16
Total Size: 196/458 Mb (scans)
WebSite: Album Preview
01. Tumbling Tumbleweed 3:51
02. Baby It's Real 2:53
03. Misty Mirage 4:17
04. Sometimes 3:03
05. Share With Me 3:09
06. That's The Way It's Gonna Be 3:33
07. Astral Cowboy 2:22
08. Another Time 3:04
09. Wearing Levi's (Acoustic) 1:29
10. I Just Wanna Be Your Friend 2:23
11. You Know I've Found A Way 1:53
12. The Know It All 2:10
13. Stretch Levi's 0:50
14. Tumbling Tumbleweed (Instrumental) 3:38
15. Misty Mirage (Instrumental) 4:20
16. Astral Cowboy (Instrumental) 3:22
17. Meanwhile Back In The World (Instrumental) 4:19
18. Dreamworld Fantasy No. 11 (Instrumental) 4:57
19. Baby It's Real (Instrumental) 3:28
20. Louise 2:46
21. Rest In Peace 2:28
22. Bank Americard 1:03
23. Crown Paper Towels 0:59
Curtis Roy Boettcher (January 7, 1944 – June 14, 1987), sometimes credited as Curt Boetcher or Curt Becher, was an American singer, songwriter, arranger, musician, and record producer from Wisconsin. He was a pivotal figure in what is now termed "sunshine pop", working with the Association, the Millennium, Sagittarius, Paul Revere and the Raiders, Tommy Roe, Bobby Jameson, Elton John, Gene Clark, Emitt Rhodes, Tandyn Almer, the Beach Boys, and others.
The New York Times wrote of Boettcher: "If his life had gone just a bit differently, he might have been another Brian Wilson. ... As it stands, Boettcher — a pop-music producer whose heyday was the late '60s — now survives in rock history mostly as a liner-note credit. He could have been, but never was. Yet he enjoys a godlike status among a select group of music fans, for whom obscurity is more enticing than fame."
The New York Times wrote of Boettcher: "If his life had gone just a bit differently, he might have been another Brian Wilson. ... As it stands, Boettcher — a pop-music producer whose heyday was the late '60s — now survives in rock history mostly as a liner-note credit. He could have been, but never was. Yet he enjoys a godlike status among a select group of music fans, for whom obscurity is more enticing than fame."