Shigenori Kudo, Richard Siegel - Concerts Royaux -Baroque Flute Music II- (2018) [Hi-Res]

Tracklist

01. Suite en la Pièces extraites des Concerts Royaux: I. Allemande (Arr. for Flute and Harpsichord)
02. Suite en la Pièces extraites des Concerts Royaux: II. Menuet à 3 voix (Arr. for Flute and Harpsichord)
03. Suite en la Pièces extraites des Concerts Royaux: III. Air de diable (Arr. for Flute and Harpsichord)
04. Suite en la Pièces extraites des Concerts Royaux: IV. Air tendre (Arr. for Flute and Harpsichord)
05. Suite en la Pièces extraites des Concerts Royaux: V. La tromba (Arr. for Flute and Harpsichord)
06. Suite Opératique: I. Rigaudons (Arr. for Flute and Harpsichord)
07. Suite Opératique: II. Tambourins (Arr. for Flute and Harpsichord)
08. Suite Opératique: III. Les sauvages (Arr. for Flute and Harpsichord)
09. Suite Opératique: IV. Gavotte pour les fleurs (Arr. for Flute and Harpsichord)
10. Suite Opératique: V. Tambourin (Arr. for Flute and Harpsichord)
11. Flute Sonata in B♭major, Wq. 125: I. Adagio
12. Flute Sonata in B♭major, Wq. 125: II. Allegro
13. Flute Sonata in B♭major, Wq. 125: III. Vivace
14. Sonata in B minor, TWV 41:h4, Tafelmusik: I. Cantabile
15. Sonata in B minor, TWV 41:h4, Tafelmusik: II. Allegro
16. Sonata in B minor, TWV 41:h4, Tafelmusik: III. Dolce
17. Sonata in B minor, TWV 41:h4, Tafelmusik: IV. Allegro
18. Sonata in C major, BWV 1033: Adagio
19. Concerto, BWV 1056: Alioso

With the strong intention of taking up Baroque music in France, Shigenori Kotoh had come to this recording. In recent years, he plays with a mature level of maturity and has a great meaning to touch the classic and stylish world. Unfortunately there are no original flute Sonata, the majority in Paris, when the Palace of Versailles had the best glory, Cooplan and Lamoh extracted from the former opera, and a number of songs and personality accessories extracted from the former Contract and the later opera, Kouto reborn into the work of Seagel in Baroque music. It is no other than the virtual song of the bouquet of sound that flute and chambaro sound weave. And, from Sonata's famous pieces left by Teleman and Emanuel Bach to show a few of the rocococo hobbies that influence the little part of the format, it is also quite a subtle program for one album. It is also an area of expression that can be achieved by fruity artists who have been well-known for their style. (From Kazumaki Kimaba, Liner Notes)