George Benson - Good King Bad (1976) [Vinyl]

Artist: George Benson
Title: Good King Bad
Year Of Release: 1976
Label: CTI Records – CTI 6062
Genre: Jazz, Jazz-Funk, Fusion, Contemporary Jazz
Quality: FLAC (image + .cue) [192kHz/24bit]
Total Time: 36:56
Total Size: 1.35 GB
WebSite: Album Preview
Tracklist:Title: Good King Bad
Year Of Release: 1976
Label: CTI Records – CTI 6062
Genre: Jazz, Jazz-Funk, Fusion, Contemporary Jazz
Quality: FLAC (image + .cue) [192kHz/24bit]
Total Time: 36:56
Total Size: 1.35 GB
WebSite: Album Preview
A1 – Theme From Good King Bad (06:00)
A2 – One Rock Don't Make No Boulder (06:48)
A3 – Em (04:53)
B1 – Cast Your Fate To The Wind (06:56)
B2 – Siberian Workout (06:40)
B3 – Shell Of A Man (05:13)
Review by Richard S. Ginell
The R&B elements get stronger, the sound and mix are more attuned to the dancefloor, yet this brings out the best in George Benson's funky side. Thanks in part to the more rigid beat, Benson pares down his style to its rhythmic essentials, refusing to spray notes all over the place at random, and as a result, the record cooks and dances. His treatment of Vince Guaraldi's "Cast Your Fate to the Wind," hugely complemented by Joe Farrell's wistfully prancing flute, is a mini-masterpiece in the use of space, of hitting exactly the right stabbing note right in the pocket. Again, Creed Taylor turns to a James Brown alumnus, David Matthews, for arrangements, and he discreetly and wisely stays out of Bad George's way. Buy this one for "Cast Your Fate," but there is plenty more to savor here.
The R&B elements get stronger, the sound and mix are more attuned to the dancefloor, yet this brings out the best in George Benson's funky side. Thanks in part to the more rigid beat, Benson pares down his style to its rhythmic essentials, refusing to spray notes all over the place at random, and as a result, the record cooks and dances. His treatment of Vince Guaraldi's "Cast Your Fate to the Wind," hugely complemented by Joe Farrell's wistfully prancing flute, is a mini-masterpiece in the use of space, of hitting exactly the right stabbing note right in the pocket. Again, Creed Taylor turns to a James Brown alumnus, David Matthews, for arrangements, and he discreetly and wisely stays out of Bad George's way. Buy this one for "Cast Your Fate," but there is plenty more to savor here.