La Stagione Frankfurt and Michael Schneider - Beck: Symphonies Op. 4, Nos. 4-6 & Pandore (Excerpts) (2026) [Hi-Res]

  • 07 May, 18:16
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Artist:
Title: Beck: Symphonies Op. 4, Nos. 4-6 & Pandore (Excerpts)
Year Of Release: 2026
Label: CPO
Genre: Classical
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks)
Total Time: 59:23
Total Size: 269 MB / 1.08 GB
WebSite:

Tracklist:

1. 6 Symphonies, Op. 4: No. 4 in D Major: I. Allegro maestoso (5:30)
2. 6 Symphonies, Op. 4: No. 4 in D Major: II. Andante (5:40)
3. 6 Symphonies, Op. 4: No. 4 in D Major: III. Presto (2:17)
4. 6 Symphonies, Op. 4: No. 5 in G Major: I. Allegro con brio (4:47)
5. 6 Symphonies, Op. 4: No. 5 in G Major: II. Largo con sordini - Andantino (6:15)
6. 6 Symphonies, Op. 4: No. 5 in G Major: III. Minuetto I - Minuetto II (3:34)
7. 6 Symphonies, Op. 4: No. 5 in G Major: IV. Presto (3:18)
8. 6 Symphonies, Op. 4: No. 6 in E-Flat Major: I. Allegro moderato (4:16)
9. 6 Symphonies, Op. 4: No. 6 in E-Flat Major: II. Adagio (3:50)
10. 6 Symphonies, Op. 4: No. 6 in E-Flat Major: III. Minuetto I - Minuetto II (4:06)
11. 6 Symphonies, Op. 4: No. 6 in E-Flat Major: IV. Presto ma non troppo (5:04)
12. Pandore: Overture. Largo - Allegro risoluto (5:56)
13. Pandore: No. 7, Poco adagio (1:23)
14. Pandore: No. 15, Andantino (2:43)
15. Pandore: No. 16, Andantino (0:47)

Franz Ignaz Beck was a “Mannheim pupil” from the very beginning. The son of the court oboist Franz Aloys Beck, he was taught by other court musicians after his father’s early death before studying in Venice with Baldassare Galuppi and ultimately making his way via Naples to France. He was twenty-three when three of his symphonies won acclaim in Paris; yet he was soon drawn onward-to Marseille and then to Bordeaux, where, until 1798 (for more than thirty-five years) he served as Maître de Musique, overseeing operas and concerts as well as the performance of both his own works and those of others. The six symphonies Op. 4 date from his early years on the Garonne and are now presented complete. They represent Beck’s final contributions to the genre in which he undertook bold yet successful experiments-stormy and urgent, filled with striking turns that electrified audiences and explain why he was sometimes hailed as the “Berlioz of the eighteenth century.” The music from the melodrama Pandora, composed some twenty years later, forms an illuminating counterpoint.


  • olga1001
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My booklet:

https://isra.cloud/r7i357r7lig0

https://app.idagio.com/albums/franz-ignaz-beck-symphonies-op-4-nos-4-6-pandore-excerpts