Jah Wobble, Jon Klein - Automated Paradise (2026) [Hi-Res]

Artist: Jah Wobble, Jon Klein
Title: Automated Paradise
Year Of Release: 2026
Label: Dimple Discs
Genre: Rock, Post Punk, Reggae, Alternative
Quality: mp3 320 kbps / flac lossless (tracks) / flac 24bits - 44.1kHz
Total Time: 00:30:17
Total Size: 71 / 202 / 329 mb
WebSite: Album Preview
TracklistTitle: Automated Paradise
Year Of Release: 2026
Label: Dimple Discs
Genre: Rock, Post Punk, Reggae, Alternative
Quality: mp3 320 kbps / flac lossless (tracks) / flac 24bits - 44.1kHz
Total Time: 00:30:17
Total Size: 71 / 202 / 329 mb
WebSite: Album Preview
01. Fading Away
02. Make It Stop
03. Who Wins
04. Read Between The Lines
05. Automated Paradise
06. Terminal Terminal The End
07. Endless Sky
08. Brockwell Lido
Since leaving Public Image Ltd, Jah Wobble has been a remarkably prolific artist. He has recently teamed up with Jon Klein, former Siouxsie and The Banshees and Specimen guitarist, for their second collaborative effort. This album is more post-punk than dub. In fact, although Jah Wobble is famous for his dub records, with Automated Paradise, he is returning to his punk roots for a brilliant album.
The title track is the closest thing to dub on the album, and it is a nice short reminder of what Wobble does and does extremely well. But with Klein in the picture, he, for the first time in years, returns to post-punk and punk. He does it with ease, with the perfect vocals and lyrics. Klein provides him the musical support, and it is full steam ahead. Wobble has always been about human contact and humanity, here he is observing the very opposite. “Information constantly unfurled/A million faces staring at their phones/Make it stop!” Wobble sings with Klein’s driving guitar. It is clear that he is seeing a population splintering and falling apart, rather than uniting.
Wobble is not happy with the state of the world. “Who Wins,” which Klein’s guitar drills into the listener in a grinding fashion, spells it out perfectly. And yet, he takes time to be more reflective and a bit more peaceful in his message. In “Read Between The Lines,” which for the most part is poetry recitation, Klein provides a moving synthesizer base, and the end result is a thing of beauty. The album ends with a little bit of hope. The bass and guitar interplay of “Brockwell Lido,” a melodic instrumental that does suggest there might be some sunshine in the next day. Or perhaps, I am simply hoping for a more positive ending.
However it ends, Automated Paradise is a brilliant album. It is somewhat unexpected given Wobble’s recent releases, but working with Klein was an inspired idea. The two fit together, each bringing their experience and talent to the table. The end result is a complete album that serves the listener better to listen from beginning to end. Automated Paradise is a strong, melodic, post-punk album that is full of little surprises and some of the finest lyrics you will hear this year.