Bluetech - Petite Constellations (2026) [Hi-Res]

Artist: Bluetech
Title: Petite Constellations
Year Of Release: 2026
Label: Din
Genre: Electronic, Ambient
Quality: FLAC (tracks) / 24bit-44.1kHz FLAC (tracks)
Total Time: 45:07
Total Size: 214 / 440 MB
WebSite: Album Preview
Tracklist:Title: Petite Constellations
Year Of Release: 2026
Label: Din
Genre: Electronic, Ambient
Quality: FLAC (tracks) / 24bit-44.1kHz FLAC (tracks)
Total Time: 45:07
Total Size: 214 / 440 MB
WebSite: Album Preview
1. A Study In Vapors (4:01)
2. Accretion Disk Etude (3:57)
3. Hyperborealis (3:34)
4. Nebulous Cosmid (3:44)
5. Dimensionless Ascendant (3:52)
6. On the Cusp of Dissolution (3:43)
7. Aphelion Isomer (2:47)
8. Chronal Anomaly (3:09)
9. The Plasma Chasm (2:46)
10. Redshift Reticulum (2:51)
11. Dance of the Lumen (4:02)
12. Consensus Sequence (3:24)
13. Dipoles in Retrograde (3:24)
Evan Marc Bartholomew, known professionally as Bluetech, is a widely respected figure in the electronic music world. His work spans a broad spectrum, from deeply atmospheric ambient and downtempo to progressive, groove-oriented dance music. Bluetech's sound is characterized by rich emotional texture, intricate sound design, and a unique atmospheric quality that blends organic elements with cutting-edge digital production techniques.
This album is a collaboration between the DiN label, who will be releasing the album on limited edition Digipak CD, and Behind The Sky, who are producing it on vinyl. Both editions are beautifully produced and feature the same artwork.
This is Bluetech’s second excursion on the DiN label, having previously released ‘Liquid Geometries’ (DiN57) in 2018. ‘Petite Constellations’ sees Evan sonically exploring in a whole new direction. As the word ‘petite’ implies, the thirteen tracks on this album are musical miniatures, in a way reminiscent of the concise form of some of Erik Satie’s famous piano works. The album was conceived as a subtle homage to Mort Garson, specifically his album ‘Mother Earth’s Plantasia’. It is a series of vignettes, both cosmic and microscopic in scale. It is unabashedly melodic, with contrapuntal analogue synth lines that weave and intertwine around each other. Subscribing to the concept of ‘as above so below’, whereby the microscopic world mirrors the realms of the macrocosm, there is so much detail in these compositions that will slowly unfurl their beauty over multiple plays.
This album is a collaboration between the DiN label, who will be releasing the album on limited edition Digipak CD, and Behind The Sky, who are producing it on vinyl. Both editions are beautifully produced and feature the same artwork.
This is Bluetech’s second excursion on the DiN label, having previously released ‘Liquid Geometries’ (DiN57) in 2018. ‘Petite Constellations’ sees Evan sonically exploring in a whole new direction. As the word ‘petite’ implies, the thirteen tracks on this album are musical miniatures, in a way reminiscent of the concise form of some of Erik Satie’s famous piano works. The album was conceived as a subtle homage to Mort Garson, specifically his album ‘Mother Earth’s Plantasia’. It is a series of vignettes, both cosmic and microscopic in scale. It is unabashedly melodic, with contrapuntal analogue synth lines that weave and intertwine around each other. Subscribing to the concept of ‘as above so below’, whereby the microscopic world mirrors the realms of the macrocosm, there is so much detail in these compositions that will slowly unfurl their beauty over multiple plays.