Natural Child - Hard In Heaven (2012)

Artist: Natural Child
Title: Hard In Heaven
Year Of Release: 2012
Label: Natural Child
Genre: Blues Rock, Country Rock, Garage Rock, Psychedelic Rock
Quality: Mp3 320 / Flac (tracks)
Total Time: 36:48
Total Size: 88/238 Mb
WebSite: Album Preview
Tracklist:Title: Hard In Heaven
Year Of Release: 2012
Label: Natural Child
Genre: Blues Rock, Country Rock, Garage Rock, Psychedelic Rock
Quality: Mp3 320 / Flac (tracks)
Total Time: 36:48
Total Size: 88/238 Mb
WebSite: Album Preview
01. Laid, Paid, and Strange 2:21
02. Rock Bottom 2:24
03. What You Gonna Do 4:04
04. Hard In Heaven 6:54
05. B$G P$MP$N 2:22
06. Blind Owl Speaks 3:22
07. Low Down Blues 4:23
08. Derek's Blues 5:35
09. Let The Good Times Roll 5:24
"Hard in Heaven" is the third full-length studio album by American garage rock band Natural Child from Nashville, released in September 2012 on the independent label Burger Records.
It was an incredibly productive year for the trio: the record came just a few months after their sophomore release, "For the Love of the Game."
The album is a raucous and charmingly casual blend of garage rock, blues-rock, country, and classic rock 'n' roll. Critics often call Natural Child the "dirtiest" band of the Nashville garage scene of the early 2010s, comparing their sound to the Rolling Stones' Beggars Banquet era, the slackerism of The Oblivians, and the psychedelic blues of Neil Young.
The music was recorded with an intentionally raw, basement-style production at The Bomb Shelter studio in Nashville. The tracks are filled with distorted guitars, lazy bass lines, piano and a slight psychedelic flair.
It was an incredibly productive year for the trio: the record came just a few months after their sophomore release, "For the Love of the Game."
The album is a raucous and charmingly casual blend of garage rock, blues-rock, country, and classic rock 'n' roll. Critics often call Natural Child the "dirtiest" band of the Nashville garage scene of the early 2010s, comparing their sound to the Rolling Stones' Beggars Banquet era, the slackerism of The Oblivians, and the psychedelic blues of Neil Young.
The music was recorded with an intentionally raw, basement-style production at The Bomb Shelter studio in Nashville. The tracks are filled with distorted guitars, lazy bass lines, piano and a slight psychedelic flair.