Michael Gordon, Doug Perkins and the University of Michigan Percussion Ensemble - Field of Vision (2026) [Hi-Res]

Artist: Michael Gordon, Doug Perkins, the University of Michigan Percussion Ensemble
Title: Field of Vision
Year Of Release: 2026
Label: Cantaloupe Music
Genre: Contemporary Classical, Experimental
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks)
Total Time: 01:55:50
Total Size: 440 MB
WebSite: Album Preview
Tracklist:Title: Field of Vision
Year Of Release: 2026
Label: Cantaloupe Music
Genre: Contemporary Classical, Experimental
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks)
Total Time: 01:55:50
Total Size: 440 MB
WebSite: Album Preview
1. Field of Vision: Pt. 1 (15:25)
2. Field of Vision: Pt. 2 (12:21)
3. Field of Vision: Pt. 3 (8:26)
4. Field of Vision: Pt. 4 (21:44)
5. Field of Vision (57:56)
๐๐จ๐จ๐ค ๐๐จ๐ซ ๐ญ๐ก๐ ๐๐๐ฏ๐๐ง๐๐ ๐
๐ข๐๐ฅ๐ ๐จ๐ ๐๐ข๐ฌ๐ข๐จ๐ง ๐ฌ๐ข๐ง๐ ๐ฅ๐๐ฌ ๐๐ข๐๐ ๐, ๐๐ข๐๐ ๐
๐ฎ๐ป๐ฑ ๐ฆ๐ถ๐ฑ๐ฒ ๐, ๐ฌ๐ญ๐ซ๐๐๐ฆ๐ข๐ง๐ ๐ก๐๐ซ๐ ๐๐ง๐ ๐จ๐ง ๐๐ฅ๐ฅ ๐ฉ๐ฅ๐๐ญ๐๐จ๐ซ๐ฆ๐ฌ!
Performed on specially constructed and tuned percussion instruments, industrial metals, wood and gongs, Michael Gordonโs Field of Vision reveals a complex spectrum of overtones and resonances. The large number of percussionists, and the vast performance field, invoke a sweeping perspective that suggests the architectural movement of sound.
Produced by Doug Perkins and performed by the University of Michigan Percussion Ensemble, the piece is meant to induce, in Gordon's words, a quasi-meditative, almost ecstatic state โ for performer and audience alike. "It's where attention sharpens and dissolves, and thoughts focus and drift," he explains. "In the end, I think the music emerges as an exploration of space itself. Who can tune space? The answer becomes collective: the performers, the instruments, the listeners."
๐ฎ๐ป๐ฑ ๐ฆ๐ถ๐ฑ๐ฒ ๐, ๐ฌ๐ญ๐ซ๐๐๐ฆ๐ข๐ง๐ ๐ก๐๐ซ๐ ๐๐ง๐ ๐จ๐ง ๐๐ฅ๐ฅ ๐ฉ๐ฅ๐๐ญ๐๐จ๐ซ๐ฆ๐ฌ!
Performed on specially constructed and tuned percussion instruments, industrial metals, wood and gongs, Michael Gordonโs Field of Vision reveals a complex spectrum of overtones and resonances. The large number of percussionists, and the vast performance field, invoke a sweeping perspective that suggests the architectural movement of sound.
Produced by Doug Perkins and performed by the University of Michigan Percussion Ensemble, the piece is meant to induce, in Gordon's words, a quasi-meditative, almost ecstatic state โ for performer and audience alike. "It's where attention sharpens and dissolves, and thoughts focus and drift," he explains. "In the end, I think the music emerges as an exploration of space itself. Who can tune space? The answer becomes collective: the performers, the instruments, the listeners."