Los Megatones de Lucho - Descargas (1967)

Artist: Los Megatones de Lucho
Title: Descargas
Year Of Release: 1967
Label: Discomoda
Genre: Latin Jazz, Salsa, Descarga, Boogaloo
Quality: Flac (tracks)
Total Time: 31:58
Total Size: 199 Mb
WebSite: Album Preview
Tracklist:Title: Descargas
Year Of Release: 1967
Label: Discomoda
Genre: Latin Jazz, Salsa, Descarga, Boogaloo
Quality: Flac (tracks)
Total Time: 31:58
Total Size: 199 Mb
WebSite: Album Preview
01. Descarga De Lucho 2:26
02. La Garrapata 2:47
03. El Bati Bati 2:27
04. Que Ruede Y Que Ruede 2:05
05. Yo Sé Que Tú 2:47
06. La Rabiosa 2:16
07. Bati Rico 2:43
08. Muñeca 3:16
09. Viva Caracas 3:23
10. Sé 2:22
11. Salsa 3:05
12. La Pata Pelá 2:21
"Descargas" (1967) is one of the most vibrant, dynamic, and rare albums in the discography of the Venezuelan orchestra Los Megatones de Lucho, led by Luis "Lucho" Bermúdez (not to be confused with the famous Colombian clarinetist of the same name). The album was released in 1967 on the iconic Venezuelan label Discomoda.
The album was born on the wave of the explosive popularity of New York boogaloo and Cuban jams (descargas). The musicians combined the explosive energy of Caribbean rhythms with the dense, powerful sound of the brass section, creating the perfect soundtrack for dance floors in the late 1960s.
The word "descargas" in the album's title perfectly captures its essence: it represents the Cuban tradition of free improvisation, analogous to a jazz jam session. The music here is raw, vibrant, and intense. Unlike the more polished Venezuelan pop orchestras of the time, Los Megatones de Lucho relied on furious piano solos (in the style of early Richie Ray or Eddie Palmieri), dense, pumping percussion (congas, bongos, timbales), and piercing trumpet and saxophone riffs. The album straddles the line between authentic Afro-Cuban jazz and the then-burgeoning New York street style of boogaloo, with its rhythmic, hypnotic bass.
The album was born on the wave of the explosive popularity of New York boogaloo and Cuban jams (descargas). The musicians combined the explosive energy of Caribbean rhythms with the dense, powerful sound of the brass section, creating the perfect soundtrack for dance floors in the late 1960s.
The word "descargas" in the album's title perfectly captures its essence: it represents the Cuban tradition of free improvisation, analogous to a jazz jam session. The music here is raw, vibrant, and intense. Unlike the more polished Venezuelan pop orchestras of the time, Los Megatones de Lucho relied on furious piano solos (in the style of early Richie Ray or Eddie Palmieri), dense, pumping percussion (congas, bongos, timbales), and piercing trumpet and saxophone riffs. The album straddles the line between authentic Afro-Cuban jazz and the then-burgeoning New York street style of boogaloo, with its rhythmic, hypnotic bass.