Martine Joste - Ivan Wyschnegradsky: Works for Solo Piano (2026) [Hi-Res]
Artist: Martine Joste
Title: Ivan Wyschnegradsky: Works for Solo Piano
Year Of Release: 2026
Label: Shiiin
Genre: Classical
Quality: FLAC (tracks) / 24bit-44.1kHz FLAC (tracks)
Total Time: 01:04:51
Total Size: 179 / 499 MB
WebSite: Album Preview
Tracklist:Title: Ivan Wyschnegradsky: Works for Solo Piano
Year Of Release: 2026
Label: Shiiin
Genre: Classical
Quality: FLAC (tracks) / 24bit-44.1kHz FLAC (tracks)
Total Time: 01:04:51
Total Size: 179 / 499 MB
WebSite: Album Preview
1. Étude sur le carré magique sonore, Op. 40 (8:35)
2. Di-Ra-Te-Lo-Tu (1:26)
3. 3 Pièces for Piano, Op. 38: No. 1, Prélude (3:53)
4. 3 Pièces for Piano, Op. 38: No. 2, Élévation (2:45)
5. 3 Pièces for Piano, Op. 38: No. 3, Solitude (4:03)
6. 4 Fragments, Op. 5: No. 1, Sauvage, quadrangulaire (0:22)
7. 4 Fragments, Op. 5: No. 2, Parfaitement libre (0:49)
8. 4 Fragments, Op. 5: No. 3, Fantasque (1:08)
9. 4 Fragments, Op. 5: No. 4, Avec une nécessité de fer (1:58)
10. Ombres: I. — (1:25)
11. Ombres: II. — (1:31)
12. Ombres: III. — (1:04)
13. 2 Préludes fo Piano, Op. 2: No. 1, Grandioso (1:36)
14. 2 Préludes fo Piano, Op. 2: No. 2, Allegro irato (2:08)
15. 24 Préludes for Piano: No. 1 in C Major (2:15)
16. 24 Préludes for Piano: No. 2 in A Minor (1:35)
17. 24 Préludes for Piano: No. 3 in G Major. Dédié à Camille Saint-Saëns (1:34)
18. 24 Préludes for Piano: No. 4 in E Minor. Dédié à Alexandre Scriabine (1:22)
19. 24 Préludes for Piano: No. 5 in D Major (1:49)
20. 24 Préludes for Piano: No. 7 in A Major. Dédié à Alexandre Scriabine (1:59)
21. 24 Préludes for Piano: No. 8 in F-Sharp Minor. Dédié à Franz Schubert (0:53)
22. 24 Préludes for Piano: No. 9 in E Major. Marche funèbre sur la mort d’un héros inconnu (2:25)
23. 24 Préludes for Piano: No. 10 in C-Sharp Minor. Dédié à Igor Miklachevski (1:52)
24. 24 Préludes for Piano: No. 11 in B Major. Dédié à Alexandre Scriabine (2:17)
25. 24 Préludes for Piano: No. 12 in G-Sharp Major. Pré-existence (1:18)
26. 24 Préludes for Piano: No. 13 in F-Sharp Major. Auto-affirmation (1:08)
27. 24 Préludes for Piano: No. 15 in D-Flat Major. Dédié à Robert Schumann (1:07)
28. 24 Préludes for Piano: No. 16 in B-Flat Minor (1:01)
29. 24 Préludes for Piano: No. 18 in F Minor. Danse sacrée (1:17)
30. 24 Préludes for Piano: No. 20 in C Minor. Marche funèbre à la mémoire d’un être bien-aimé, dédié à Frédéric Chopin (3:06)
31. 24 Préludes for Piano: No. 21 in B-Flat Minor (1:12)
32. 24 Préludes for Piano: No. 22 in G Minor (1:40)
33. Ivan Wyschnegradsky sur les Préludes de jeunesse (0:45)
34. Ivan Wyschnegradsky à propos de l'Étude sur le carré magique sonore (1:54)
"Now recognised as one of the pioneers of microtonal music and performed throughout the world, Ivan Wyschnegradsky nevertheless composed pieces for solo piano, an instrument he particularly loved, throughout his life. This recording is unique: it brings together the composer's complete works for solo piano, known as ‘normal’ piano. Most of these pieces, previously unpublished, are being released for the first time.
The programme offers a journey backwards in time, from his mature years to his early compositions: from the étude sur le carré magique sonore, Op. 40, to the preludes of his youth written in Petrograd (Saint Petersburg) in 1916, shortly before he left Russia for good to settle in Paris, where he lived until 1979.
The pianist Martine Joste, who knew the composer well, premiered many of his works in his presence. Ivan Wyschnegradsky particularly appreciated her dynamic and sensitive playing. In 1983, she founded the Ivan Wyschnegradsky Association with Claude Ballif to raise awareness of this major figure of the 20th century. This disc sheds light on a lesser-known aspect of the composer's personality and highlights his creative journey.
The disc, co-produced with the Ivan Wyschnegradsky Association, with the support of the Francis and Mica Salabert Foundation, is released on the Shiiin label, accompanied by a 33-page booklet published in French and English."
The programme offers a journey backwards in time, from his mature years to his early compositions: from the étude sur le carré magique sonore, Op. 40, to the preludes of his youth written in Petrograd (Saint Petersburg) in 1916, shortly before he left Russia for good to settle in Paris, where he lived until 1979.
The pianist Martine Joste, who knew the composer well, premiered many of his works in his presence. Ivan Wyschnegradsky particularly appreciated her dynamic and sensitive playing. In 1983, she founded the Ivan Wyschnegradsky Association with Claude Ballif to raise awareness of this major figure of the 20th century. This disc sheds light on a lesser-known aspect of the composer's personality and highlights his creative journey.
The disc, co-produced with the Ivan Wyschnegradsky Association, with the support of the Francis and Mica Salabert Foundation, is released on the Shiiin label, accompanied by a 33-page booklet published in French and English."
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