David A. Jaycock - Children of the Cold War∶ Phase 7 (2026)

Artist: David A. Jaycock
Title: Children of the Cold War∶ Phase 7
Year Of Release: 2026
Label: Subexotic Records
Genre: Acoustic, Experimental, Folktronica, Psyth, Post Rock
Quality: 16bit-44,1kHz FLAC
Total Time: 46:16
Total Size: 227 mb
WebSite: Album Preview
TracklistTitle: Children of the Cold War∶ Phase 7
Year Of Release: 2026
Label: Subexotic Records
Genre: Acoustic, Experimental, Folktronica, Psyth, Post Rock
Quality: 16bit-44,1kHz FLAC
Total Time: 46:16
Total Size: 227 mb
WebSite: Album Preview
1. Circling The Church (06:08)
2. The American Dream (As Seen On T.V) (05:51)
3. Butterflies Discotèque (03:43)
4. The Wall Has Fallen (05:15)
5. In The Black Forrest (03:45)
6. Shopping On A Saturday Afternoon In Manchester (03:06)
7. Secret Bunkers Under Civic Centres (05:46)
8. Polaris (U.K Nuclear Programme) (04:52)
9. Clear Skies On The Lows (07:50)
This is a concept record that reflects on events that have had a calculable effect on a generation:
‘’By 83 and 84, it felt that nuclear war was going to happen. Not could happen but was going to.’’
Stephen Brotherstone
"What would you do in the event of a Nuclear war?"
I remember having discussions about what we would do when we heard the four minute warning siren. We would raid the sweet shop. I was 8 or 9 years old. The absurdity of this vivid memory encapsulates the concept of the record. It would take at least four minutes to get to the shop!
The record starts with an early memory of circling a church on a Raleigh Budgie (the smaller lesser known iconic Chopper bicycle) in 1981 and ends with staring up at a clear sky on Oldham Lows in 1990.
The record identifies and plays with the effects of an underlying fear of oblivion on a generation of children, but also society as a whole: The pieces take in media and government propaganda. Machinery (nuclear submarines) and buildings (nuclear bunkers) but also everyday activities of the civilian population, activities such as shopping, clubbing and staring at the sky. Thematically, the record is made up of personal memories mixed with historical events.
Instruments are mainly from 1980s. DX7 and 808 feature predominantly. The pieces feature numerous melodic motifs that develop and intertwine underlying ideas of espionage and layers of secret messaging. It also mirrors the ways in which governments and civilians interact. Decisions being made in the name of defence whilst people go about their daily lives. I am exploring the everyday experiences of the masses whilst major political decisions are taking place. For example, shopping on a Saturday afternoon versus heated Cold War tensions in 1983.
Although taking place conceptually in the years 1979-1991, this record mirrors current events. History repeating. It also mirrors the helplessness or maybe some oblivious everyday normality state that we adopt as a community whilst major political decisions are being made.
The idea that life goes on oblivious to larger scale politics, or on the other hand, the idea that we are all very aware but in a state of unreal normality. Adam Curtis goes into great detail about such things in his film 'Hyper Normalisation'.