Nathalie Stutzmann, Atlanta Symphony Orchestra - Bruckner: Symphony No. 4 in E-Flat Major, WAB 104 "Romantic" (1878/1881 Version) (2026) [Hi-Res]

Tracklist

01. Symphony No. 4 in E-Flat Major, WAB 104 Romantic: I. (a) Bewegt, nicht zu schnell (1878/1881 Version)
02. Symphony No. 4 in E-Flat Major, WAB 104 Romantic: I. (b) Hervortretend (1878/1881 Version)
03. Symphony No. 4 in E-Flat Major, WAB 104 Romantic: I. (c) [Bars 193 - 332] (1878/1881 Version)
04. Symphony No. 4 in E-Flat Major, WAB 104 Romantic: I. (d) [Bars 333 - 436] (1878/1881 Version)
05. Symphony No. 4 in E-Flat Major, WAB 104 Romantic: I. (e) Hervortretend (1878/1881 Version)
06. Symphony No. 4 in E-Flat Major, WAB 104 Romantic: II. (a) Andante quasi allegretto (1878/1881 Version)
07. Symphony No. 4 in E-Flat Major, WAB 104 Romantic: II. (b) Lang gezogen (1878/1881 Version)
08. Symphony No. 4 in E-Flat Major, WAB 104 Romantic: II. (c) Con sordini (1878/1881 Version)
09. Symphony No. 4 in E-Flat Major, WAB 104 Romantic: III. (a) Scherzo. Bewegt (1878/1881 Version)
10. Symphony No. 4 in E-Flat Major, WAB 104 Romantic: III. (b) Trio. Nicht zu schnell (1878/1881 Version)
11. Symphony No. 4 in E-Flat Major, WAB 104 Romantic: III. (c) Scherzo da capo (1878/1881 Version)
12. Symphony No. 4 in E-Flat Major, WAB 104 Romantic: IV. (a) Finale. Bewegt, doch nicht zu schnell (1878/1881 Version)
13. Symphony No. 4 in E-Flat Major, WAB 104 Romantic: IV. (b) Noch langsamer (1878/1881 Version)
14. Symphony No. 4 in E-Flat Major, WAB 104 Romantic: IV. (c) Tempo wie anfangs (1878/1881 Version)
15. Symphony No. 4 in E-Flat Major, WAB 104 Romantic: IV. (d) Langsamer (1878/1881 Version)
16. Symphony No. 4 in E-Flat Major, WAB 104 Romantic: IV. (e) Tempo primo (1878/1881 Version)
17. Symphony No. 4 in E-Flat Major, WAB 104 Romantic: IV. (f) Im früheren Zeitmass (1878/1881 Version)
18. Symphony No. 4 in E-Flat Major, WAB 104 Romantic: IV. (g) Tempo primo (1878/1881 Version)

On this landmark release Nathalie Stutzmann becomes one of the few women and the first with a major U.S. orchestra to record a cornerstone of the Bruckner repertoire. Since 2022, she has shaped the ASO into a “pristine, precisely levelled” ensemble (ArtsATL), fusing American precision with European depth.

Following their acclaimed Dvořák 9, praised for its “explosive” energy and “bold, raw” textures, Stutzmann brings her acclaimed Wagnerian insight from Bayreuth (Tannhäuser, Rienzi) to Bruckner’s 4th. According to Bachtrack: “With her intuitive gifts as a Brucknerian... she has interrogated every bar of these scores for herself.” Stutzmann herself has called Bruckner one of her favourite composers and has a deep connection to his music.

Between Atlanta, Monte-Carlo, and top international orchestras (Philadelphia, New York, Concertgebouw), Nathalie Stutzmann ranks among today’s most sought-after conductors.