Andreas Scholl, Ensemble 415, Chiara Banchini - Vivaldi: Stabat Mater (1995)
Artist: Andreas Scholl, Ensemble 415, Chiara Banchini
Title: Vivaldi: Stabat Mater
Year Of Release: 1995
Label: harmonia mundi
Genre: Classical
Quality: FLAC (tracks)
Total Time: 51:55
Total Size: 252 Mb
WebSite: Album Preview
Tracklist:Title: Vivaldi: Stabat Mater
Year Of Release: 1995
Label: harmonia mundi
Genre: Classical
Quality: FLAC (tracks)
Total Time: 51:55
Total Size: 252 Mb
WebSite: Album Preview
Concerto for Strings in C Major, RV 114 (Antonio Vivaldi)
01. I. Allegro - Adagio (00:02:29)
02. II. Ciaccona (00:00:43)
03. III. Ciaccona (00:03:03)
Cantate, RV 684 "Cessate, omai cessate" (Antonio Vivaldi)
04. I. Cessate, omai cessate (00:01:59)
05. II. Ah ch'infelice sempre (00:05:16)
06. III. A voi dunque ricorro (00:01:15)
07. IV. Nell'orrido albergo ricetto di pene (00:03:41)
08. Sonata a quatro, RV 130 "Al Santo Sepolcro": I. Largo molto (00:02:23)
09. Sonata a quatro, RV 130 "Al Santo Sepolcro": II. Allegro ma poco andante (00:02:46)
Introduzione al miserere, RV 638 "Filiae Maestae Jerusalem" (Antonio Vivaldi)
10. I. Filiae maestae Jerusalem (00:01:53)
11. II. Sileant zephyri (00:06:37)
12. III. Sed tenebris diffusis (00:01:04)
Stabat Mater, RV 621 (Antonio Vivaldi)
13. I. Stabat Mater dolorosa (00:02:54)
14. II. Cujus animam gementem (00:01:47)
15. III. O quam tristis (00:01:53)
16. IV. Quis Est Homo (00:02:50)
17. V. Quis Non Posset (00:02:04)
18. VI. Pro peccatis suae gentis (00:01:50)
19. VII. Eja mater, fons amoris (00:02:43)
20. VIII. Fac ut ardeat (00:01:38)
21. IX. Amen (00:01:07)
Total length: 00:51:55
Label: harmonia mundi
Performers:
Andreas Scholl (counter-tenor)
Ensemble 415
Chiara Banchini
Here's a very attractively prepared menu whose main course is the Stabatmater for countertenor and strings.
Hors-d'oeuvres and side-dishes consist of a ripieno concerto (RV114), a chamber cantata for countertenor and strings (RV684), a string sonata in E flat (RV130) and an introductory motet to a lost Miserere (RV638). Taken together, the pieces demonstrate something of Vivaldi's diverse style as a composer.
The chamber cantata, if closely related to the two sacred vocal items on the disc in respect of tonal colour, differs from them in character.
Conforming with the standard Italian cantata pattern at the time of two pairs of alternating recitative and da capo aria Vivaldi enlivens his pastoral idyll with two particularly affecting arias, the first with a palpitating pizzicato violin, the second a virtuoso vocal tour de force illustrating the plight of the forsaken lover. Andreas Scholl brings the whole thing off superbly with only a moment's faulty intonation at the close of the first aria. Unlike settings of the Stabat mater by Pergolesi and others, Vivaldi used only the first 10 of the 20 stanzas of the poem. His deeply expressive setting of the poem will be familiar to many readers, but few will have heard such an affecting performance as Scholl achieves here.
The lyrical prayer of human yearning for faith contained in the 'Fac ut ardeat' movement is tenderly sung and here, as throughout the programme, sympathetically supported by Ensemble 415 under Chiara Banchini's experienced direction.
Hors-d'oeuvres and side-dishes consist of a ripieno concerto (RV114), a chamber cantata for countertenor and strings (RV684), a string sonata in E flat (RV130) and an introductory motet to a lost Miserere (RV638). Taken together, the pieces demonstrate something of Vivaldi's diverse style as a composer.
The chamber cantata, if closely related to the two sacred vocal items on the disc in respect of tonal colour, differs from them in character.
Conforming with the standard Italian cantata pattern at the time of two pairs of alternating recitative and da capo aria Vivaldi enlivens his pastoral idyll with two particularly affecting arias, the first with a palpitating pizzicato violin, the second a virtuoso vocal tour de force illustrating the plight of the forsaken lover. Andreas Scholl brings the whole thing off superbly with only a moment's faulty intonation at the close of the first aria. Unlike settings of the Stabat mater by Pergolesi and others, Vivaldi used only the first 10 of the 20 stanzas of the poem. His deeply expressive setting of the poem will be familiar to many readers, but few will have heard such an affecting performance as Scholl achieves here.
The lyrical prayer of human yearning for faith contained in the 'Fac ut ardeat' movement is tenderly sung and here, as throughout the programme, sympathetically supported by Ensemble 415 under Chiara Banchini's experienced direction.
