Creedence Clearwater Revival - Willy And The Poor Boys (1994) [Vinyl]

Artist: Creedence Clearwater Revival
Title: Willy And The Poor Boys
Year Of Release: 1969 / 1994
Label: DCC Compact Classics
Genre: Rock, Blues Rock, Country Rock, Southern Rock
Quality: FLAC (tracks) [192kHz/24bit]
Total Time: 35:10
Total Size: 1.34 GB
WebSite: Album Preview
Tracklist:Title: Willy And The Poor Boys
Year Of Release: 1969 / 1994
Label: DCC Compact Classics
Genre: Rock, Blues Rock, Country Rock, Southern Rock
Quality: FLAC (tracks) [192kHz/24bit]
Total Time: 35:10
Total Size: 1.34 GB
WebSite: Album Preview
A1 Down On The Corner
A2 It Came Out Of The Sky
A3 Cotton Fields
A4 Poorboy Shuffle
A5 Feelin' Blue
B1 Fortunate Son
B2 Don't Look Now (It Ain't You Or Me)
B3 The Midnight Special
B4 Side O' The Road
B5 Effigy
Make no mistake, Willy & the Poor Boys is a fun record, perhaps the breeziest album CCR ever made. Apart from the eerie minor-key closer "Effigy" (one of John Fogerty's most haunting numbers), there is little of the doom that colored Green River. Fogerty's rage remains, blazing to the forefront on "Fortunate Son," a working-class protest song that cuts harder than any of the explicit Vietnam protest songs of the era, which is one of the reasons that it hasn't aged where its peers have. Also, there's that unbridled vocal from Fogerty and the ferocious playing on CCR, which both sound fresh as they did upon release. "Fortunate Son" is one of the greatest, hardest rock & rollers ever cut, so it might seem to be out of step with an album that is pretty laid-back and friendly, but there's that elemental joy that by late '69 was one of CCR's main trademarks. That joy runs throughout the album, from the gleeful single "Down on the Corner" and the lazy jugband blues of "Poorboy Shuffle" through the great slow blues jam "Feelin' Blue" to the great rockabilly spiritual "Don't Look Now," one of Fogerty's overlooked gems. The covers don't feel like throwaways, either, since both "Cotton Fields" and "The Midnight Special" have been overhauled to feel like genuine CCR songs. It all adds up to one of the greatest pure rock & roll records ever cut. © Stephen Thomas Erlewine