Sinfonia Of London, John Wilson & Frank Loesser - Guys and Dolls (2026) [Hi-Res]
Artist: Sinfonia Of London, John Wilson, Frank Loesser
Title: Guys and Dolls
Year Of Release: 2026
Label: Chandos
Genre: Classical, Musical
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks)
Total Time: 01:22:35
Total Size: 459 MB / 1.57 GB
WebSite: Album Preview
Tracklist:Title: Guys and Dolls
Year Of Release: 2026
Label: Chandos
Genre: Classical, Musical
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks)
Total Time: 01:22:35
Total Size: 459 MB / 1.57 GB
WebSite: Album Preview
CD1
1. Guys and Dolls: Overture (4:06)
2. Guys and Dolls, Act I: No. 1, Runyonland (3:08)
3. Guys and Dolls, Act I Scene 1: No. 2, Fugue for Tinhorns (1:42)
4. Guys and Dolls, Act I Scene 1: No. 3, Follow the Fold (1:21)
5. Guys and Dolls, Act I Scene 1: No. 3a, Exit of Sarah and the Mission Band (0:16)
6. Guys and Dolls, Act I Scene 1: No. 4, The Oldest Established (2:31)
7. Guys and Dolls, Act I Scene 1: No. 5, Follow the Fold (Reprise) (1:01)
8. Guys and Dolls, Act I Scene 2: I Wonder What This Guy Will Be Like? (0:12)
9. Guys and Dolls, Act I Scene 2: No. 6, I'll Know (3:52)
10. Guys and Dolls, Act I Scene 2: No. 6a, I'll Know (Addenda - Interlude) (0:18)
11. Guys and Dolls, Act I Scene 2: No. 6b, I'll Know (Vocal Finish) (0:46)
12. Guys and Dolls, Act I Scene 2: No. 6c, Change of Scene (0:17)
13. Guys and Dolls, Act I Scene 3: No. 7, Fanfare (0:13)
14. Guys and Dolls, Act I Scene 4: No. 7a, A Bushel and a Peck (3:16)
15. Guys and Dolls, Act I Scene 4: No. 7b, The Customers Exit (0:28)
16. Guys and Dolls, Act I Scene 4: No. 8, Adelaide's Lament (3:13)
17. Guys and Dolls, Act I Scene 4: No. 8a, Change of Scene (0:12)
18. Guys and Dolls, Act I Scene 5: No. 9, Opening to Scene 5 (0:22)
19. Guys and Dolls, Act I Scene 5: No. 10, Guys and Dolls (3:10)
20. Guys and Dolls, Act I Scene 6: No. 11, Opening to Scene 6 (0:14)
21. Guys and Dolls, Act I Scene 6: No. 12, Change of Scene (0:17)
22. Guys and Dolls, Act I Scene 7: He Couldn’t Have! (0:04)
23. Guys and Dolls, Act I Scene 7: No. 13, End of Scene 7 (0:28)
24. Guys and Dolls, Act I Scene 8: No. 14, Havana (9:04)
25. Guys and Dolls, Act I Scene 9: Take It Easy, Slugger (0:08)
26. Guys and Dolls, Act I Scene 9: No. 15, If I Were a Bell (3:12)
27. Guys and Dolls, Act I Scene 9: No. 16, Change of Scene (0:36)
28. Guys and Dolls, Act I Scene 10: Thank You for Bringing Me Back (0:23)
29. Guys and Dolls, Act I Scene 10: No. 17, My Time of Day (1:51)
30. Guys and Dolls, Act I Scene 10: No. 17a, I've Never Been in Love Before (2:29)
31. Guys and Dolls, Act I Scene 10: No. 18, Beetle Race (The Raid) (0:25)
32. Guys and Dolls, Act I Scene 10: Sarah, You Know I Had Nothing to Do with This (0:25)
33. Guys and Dolls, Act I Scene 10: No. 19, Finale (0:17)
CD2
1. Guys and Dolls: Entr'acte (2:52)
2. Guys and Dolls, Act II Scene 1: No. 21, Fanfare (0:14)
3. Guys and Dolls, Act II Scene 1: No. 21a, Take Back Your Mink (4:23)
4. Guys and Dolls, Act II Scene 1: No. 22, Adelaide's Second Lament (1:14)
5. Guys and Dolls, Act II Scene 1: No. 22a, Change of Scene (0:31)
6. Guys and Dolls, Act II Scene 2: The Man I Love Will Not Be a Gambler (0:15)
7. Guys and Dolls, Act II Scene 2: No. 23, More I Cannot Wish You (2:53)
8. Guys and Dolls, Act II Scene 2: No. 24, Change of Scene (0:15)
9. Guys and Dolls, Act II Scene 3: No. 24a, The Crapshooter's Dance (3:12)
10. Guys and Dolls, Act II Scene 3: No. 25, Luck Be a Lady (2:56)
11. Guys and Dolls, Act II Scene 3: No. 26, Change of Scene (0:24)
12. Guys and Dolls, Act II Scene 4: Nathan, Why Can’t We Elope Now? (0:15)
13. Guys and Dolls, Act II Scene 4: No. 27, Sue Me (2:13)
14. Guys and Dolls, Act II Scene 4: No. 27a, Change of Scene (0:31)
15. Guys and Dolls, Act II Scene 5: Get Up, You Fat Water Buffalo! (0:11)
16. Guys and Dolls, Act II Scene 5: No. 28, Sit Down, You're Rockin' the Boat (2:19)
17. Guys and Dolls, Act II Scene 5: Hallelujah! (0:11)
18. Guys and Dolls, Act II Scene 5: No. 29, The Guys Follow the Fold (0:36)
19. Guys and Dolls, Act II Scene 6: No. 29a, Adelaide Meets Sarah (1:13)
20. Guys and Dolls, Act II Scene 6: No. 30, Marry the Man Today (2:52)
21. Guys and Dolls, Act II Scene 7: No. 31, Opening to Scene 7 (1:29)
22. Guys and Dolls, Act II Scene 7: No. 31a, Entrance of the Mission Band (0:20)
23. Guys and Dolls, Act II Scene 7: No. 32, The Happy Ending (0:40)
24. Guys and Dolls, Act II Scene 7: Bows (0:43)
John Wilson and Sinfonia of London continue their series of complete recordings of shows from the golden age of Broadway with Frank Loesser’s Guys and Dolls. The show opened in 1950, ran for 1,200 performances, and won the Tony Award for Best Musical. The book is based on short stories by Damon Runyon, written in the 1920s and 1930s. These stories concerned gangsters, gamblers, and other characters of the New York underworld. Runyon was known for the unique comic dialect he employed in his stories; mixing highly formal language, without contractions, and colourful slang.
As in all previous issues in this series, John Wilson has gone back to the original orchestrations of the show’s opening night, and the recording includes every note. In the case of Guys and Dolls, these originals were lost (subsequent productions had used a simplified orchestration calling for fewer players), but have been painstakingly reconstructed by Larry Moore.
Wilson says of his soloists: ‘Casting is so important, choosing singers who not only perform the role but who can make an impression on a record. I keep my eyes peeled and, on every recording, you see new additions, but at the core there is a group of artists who I know can turn up on a Monday morning for the recording and deliver the goods. That extends right through the ensemble which is a collection of the brightest stars in London.’ The notable additions for this recording are Damien Humbley as Nicely-Nicely Johnson and Sir Thomas Allen (persuaded by John to come out of retirement!) in the role of Arvide Abernathy.
As in all previous issues in this series, John Wilson has gone back to the original orchestrations of the show’s opening night, and the recording includes every note. In the case of Guys and Dolls, these originals were lost (subsequent productions had used a simplified orchestration calling for fewer players), but have been painstakingly reconstructed by Larry Moore.
Wilson says of his soloists: ‘Casting is so important, choosing singers who not only perform the role but who can make an impression on a record. I keep my eyes peeled and, on every recording, you see new additions, but at the core there is a group of artists who I know can turn up on a Monday morning for the recording and deliver the goods. That extends right through the ensemble which is a collection of the brightest stars in London.’ The notable additions for this recording are Damien Humbley as Nicely-Nicely Johnson and Sir Thomas Allen (persuaded by John to come out of retirement!) in the role of Arvide Abernathy.
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