Duke Chapel Schola Cantorum & Zebulon M. Highben - And Night Shall Be No More: A Year at Duke University Chapel (2026) Hi-Res

Artist: Duke Chapel Schola Cantorum, Zebulon M. Highben
Title: And Night Shall Be No More: A Year at Duke University Chapel
Year Of Release: 2026
Label: Navona
Genre: Classical
Quality: FLAC (tracks) / FLAC 24 Bit (48 KHz / tracks)
Total Time: 49:57 min
Total Size: 184 / 486 MB
WebSite: Album Preview
Tracklist:Title: And Night Shall Be No More: A Year at Duke University Chapel
Year Of Release: 2026
Label: Navona
Genre: Classical
Quality: FLAC (tracks) / FLAC 24 Bit (48 KHz / tracks)
Total Time: 49:57 min
Total Size: 184 / 486 MB
WebSite: Album Preview
01. Te lucis ante terminum
02. Savior of the Nations, Come
03. There Is No Rose
04. My Lord Has Come
05. Glory to God
06. Light Everlasting
07. Lord, Who Throughout These Forty Days
08. Sing, My Tongue
09. Easter Carol
10. Ev'ry Time I Feel the Spirit
11. On Wings of Song
12. Ecce quomodo moritur justus
13. In Silence
14. E'en So, Lord Jesus, Quickly Come
According to tradition the Christian day begins at sundown, and the Christian year begins in Advent. AND NIGHT SHALL BE NO MORE: A YEAR AT DUKE UNIVERSITY CHAPEL explores these ancient understandings of liturgical time through the medium of choral music, as the Duke Chapel Schola Cantorum, conducted by Zebulon M. Highben, performs a program that travels from darkness into light.
The program begins at eventide, with a polyphonic setting of the Compline hymn Te lucis ante terminum by Renaissance composer Diego Ortiz. Advent and Christmas selections follow, including a contemporary rendition of the chorale Savior of the Nations, Come; Will Todd’s ethereal My Lord Has Come; and Undine Smith Moore’s exuberant Glory to God. The seasons of Lent, Easter, and Pentecost are traversed via spirituals, shape-note melodies, and a powerful rendering of the chant Sing, My Tongue (PANGE LINGUA) featuring organist Chad Fothergill.
The program concludes with works by Gwyneth Walker, Jacob Handl, and Zebulon Highben for All Saints Day and Christ the King, before returning again to Advent with the beloved E’en So, Lord Jesus, Quickly Come by Paul Manz.
The program begins at eventide, with a polyphonic setting of the Compline hymn Te lucis ante terminum by Renaissance composer Diego Ortiz. Advent and Christmas selections follow, including a contemporary rendition of the chorale Savior of the Nations, Come; Will Todd’s ethereal My Lord Has Come; and Undine Smith Moore’s exuberant Glory to God. The seasons of Lent, Easter, and Pentecost are traversed via spirituals, shape-note melodies, and a powerful rendering of the chant Sing, My Tongue (PANGE LINGUA) featuring organist Chad Fothergill.
The program concludes with works by Gwyneth Walker, Jacob Handl, and Zebulon Highben for All Saints Day and Christ the King, before returning again to Advent with the beloved E’en So, Lord Jesus, Quickly Come by Paul Manz.