Jade - Fly On Strangewings (Reissue) (1970/2003)
Artist: Jade
Title: Fly On Strangewings
Year Of Release: 1970/2003
Label: Lightning Tree
Genre: Folk, Folk Rock
Quality: Flac (tracks, .cue, log)
Total Time: 52:24
Total Size: 355 Mb (scans)
WebSite: Album Preview
Title: Fly On Strangewings
Year Of Release: 1970/2003
Label: Lightning Tree
Genre: Folk, Folk Rock
Quality: Flac (tracks, .cue, log)
Total Time: 52:24
Total Size: 355 Mb (scans)
WebSite: Album Preview
Tracklist:
01.Amongst Anenomes 3:57
02.Raven 2:37
03.Fly on Strangewings 4:26
04.Mayfly 3:35
05.Alan's Song 3:20
06.Bad Magic 3:20
07.Clippership 2:48
08.Five of Us 4:08
09.Reflections on a Harbour Wall 2:34
10.Mrs. Adams 3:29
11.Fly Me to the North 3:24
12.Away from the Family 4:51
13.Big Yellow Taxi 3:35
14.Carolina in My Mind 4:07
15.Chicago Radio Spots 2:05
Line-up:
John Wetton - Bass (King Crimson, Family, Asia...)
James Litherland - Guitar ( Mogul Thrash, Colosseum)
Pete Sears - Bass (Fleur de lys, The Sam Gopal Dream, Jefferson Starship)
Michael Rosen - Guitar (Eclection, Fotheringay)
Clem Cattini - Drums (Rumplestiltskin, The Tornadoes, The Ivy League)
Terry Cox - Drums (Pentangle)
Pete York - Drums (Spencer Davis Group, Hardin and York)
Mick Waller - Drums (Rod Stewart)
Harry Reynolds - Bass
eissue of Rare Early Seventies UK Folk/Rock Album with Female Vocalist Marianne Segal. Includes Unreleased Bonus Tracks and Us Radio Adverts.
While Jade's only album is decent early-'70s British folk-rock, its similarity to the material that Sandy Denny sang lead on with Fairport Convention is so evident that it's rather unnerving. Marian Segal sounded more like Denny than any other British folk-rock singer of the time did, and the songs mixed rock music, more traditional British Isles folk melodic and lyrical elements, and stirring contemporary singer-songwriter rock in much the same way that Fairport did in their WHAT WE DID ON OUR HOLIDAYS and UNHALFBRICKING era. The difference is that Jade had a little more of a pop influence than Fairport, occasionally using orchestration, and less of a traditional folk one at that. Of course, whereas Fairport split up the lead vocals among several members, Marian Segal takes almost all of them here, though the good amount of vocal harmonies, again, can't fail but to recall early Fairport.
While Jade's only album is decent early-'70s British folk-rock, its similarity to the material that Sandy Denny sang lead on with Fairport Convention is so evident that it's rather unnerving. Marian Segal sounded more like Denny than any other British folk-rock singer of the time did, and the songs mixed rock music, more traditional British Isles folk melodic and lyrical elements, and stirring contemporary singer-songwriter rock in much the same way that Fairport did in their WHAT WE DID ON OUR HOLIDAYS and UNHALFBRICKING era. The difference is that Jade had a little more of a pop influence than Fairport, occasionally using orchestration, and less of a traditional folk one at that. Of course, whereas Fairport split up the lead vocals among several members, Marian Segal takes almost all of them here, though the good amount of vocal harmonies, again, can't fail but to recall early Fairport.