Fusioon - Esenciales (1972-1974)
Artist: Fusioon
Title: Esenciales
Year Of Release: 2004
Label: Divucsa
Genre: Fusion, Psychedelic Rock, Prog Rock
Quality: FLAC (tracks+.cue, log, Artwork)
Total Time: 1:06:55
Total Size: 454 MB
WebSite: Album Preview
Tracklist:Title: Esenciales
Year Of Release: 2004
Label: Divucsa
Genre: Fusion, Psychedelic Rock, Prog Rock
Quality: FLAC (tracks+.cue, log, Artwork)
Total Time: 1:06:55
Total Size: 454 MB
WebSite: Album Preview
Fusioon (1972)
2. Ya Se Van Los Pastores(5:16)
3. Ses Porqueres (3:13)
4. Pavana Espanola (3:01)
5. Negra Sombra (3:44)
6. En El Puerto De Pajares (4:13)
7. Rima Infantil (3:37)
8. El Cant Del Ocells (4:15)
Fusioon (1974)
1. Farsa Del Buen Vivir (3:08)
2. Contraste (6:32)
3. Tritons (8:15)
4. Dialogos (6:42)
5. Concerto Grosso (9:52)
Personel:
- Santi Arisa / drums
- Marti Brunet / guitar, synthesizers
- Jordi Camp / bass
- Manel Camp / piano, keyboards
This is a Spanish quartet from Barcelona featuring Manuel Camp (piano and keyboards), Jordi Camp (bass), Santi Arisa (drums) and Marti Brunet (electric guitars and synthesizers). In the first half of the Seventies FUSIOON released three albums entitled "Fusioon I" (1972), "Fusioon II" (1974) and "Minorisa" (1975).
The first album FUSIOON contains arrangements from traditionals. It sounds like a tasteful stew with classical, folk, jazz and symphonic elements. The songs has echoes from KING CRIMSON (Fripperian guitar), FOCUS (flute) and Le ORME/EKSEPTION/ELP (Hammond organ) but the musical ideas are great and the musicians play strong with many surprising breaks and exciting solos and interplay. The highlight is ôDanza del molineroö (Manual de Falla) with sparkling piano, a tight rhythm-section, an Andalusian sounding violin, fiery electric guitar and powerful Hammond waves, culminating in a grand finale. The second LP II has a more symphonic sound, especially the Keith EMERSON-like Hammond, Moog - and pianoplay is very prominent but I can also trace GENTLE GIANT (guitar/piano interplay and some vocal harmonies). An alternating and interesting album .
Their best effort is the third record entitled ôMinorisaö, containing three long tracks. The first two are an amazing blend of KING CRIMSON, GENTLE GIANT, ELP and even TANGERINE DREAM (flute-Mellotron like the ôPhaedraö-era) with lots of captivating musical moments, lush keyboards and strong interplay (guitar, keyboards, flute, bass). The third song is a maverick: a kind of sound collage, very electronic like TANGERINE DREAM, SYNERGY and Klaus SCHULZE with flute Mellotron, all kind of synthesizer sounds and fat Moog runs, a bit weird and not really satisfying end of this good album.
The first album FUSIOON contains arrangements from traditionals. It sounds like a tasteful stew with classical, folk, jazz and symphonic elements. The songs has echoes from KING CRIMSON (Fripperian guitar), FOCUS (flute) and Le ORME/EKSEPTION/ELP (Hammond organ) but the musical ideas are great and the musicians play strong with many surprising breaks and exciting solos and interplay. The highlight is ôDanza del molineroö (Manual de Falla) with sparkling piano, a tight rhythm-section, an Andalusian sounding violin, fiery electric guitar and powerful Hammond waves, culminating in a grand finale. The second LP II has a more symphonic sound, especially the Keith EMERSON-like Hammond, Moog - and pianoplay is very prominent but I can also trace GENTLE GIANT (guitar/piano interplay and some vocal harmonies). An alternating and interesting album .
Their best effort is the third record entitled ôMinorisaö, containing three long tracks. The first two are an amazing blend of KING CRIMSON, GENTLE GIANT, ELP and even TANGERINE DREAM (flute-Mellotron like the ôPhaedraö-era) with lots of captivating musical moments, lush keyboards and strong interplay (guitar, keyboards, flute, bass). The third song is a maverick: a kind of sound collage, very electronic like TANGERINE DREAM, SYNERGY and Klaus SCHULZE with flute Mellotron, all kind of synthesizer sounds and fat Moog runs, a bit weird and not really satisfying end of this good album.