Giulia Nuti - Le Coeur & L'Oreille. Manuscrit Bauyn (2017) [Hi-Res]
Artist: Giulia Nuti
Title: Le Coeur & L'Oreille. Manuscrit Bauyn
Year Of Release: 2018
Label: Arcana
Genre: Classical
Quality: flac lossless / flac 24bits - 88.2kHz +booklet
Total Time: 01:14:19
Total Size: 470 mb / 1.5 gb
WebSite: Album Preview
TracklistTitle: Le Coeur & L'Oreille. Manuscrit Bauyn
Year Of Release: 2018
Label: Arcana
Genre: Classical
Quality: flac lossless / flac 24bits - 88.2kHz +booklet
Total Time: 01:14:19
Total Size: 470 mb / 1.5 gb
WebSite: Album Preview
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01. Prélude in F Major
02. Suite in F Major: Allemande
03. Suite in F Major: Courante
04. Suite in F Major: Autre courante
05. Suite in F Major: Rondeau
06. Suite in F Major: Sarabande
07. Suite in F Major: Chaconne
08. Suite in D Minor: Allemande
09. Suite in D Minor: Courante
10. Suite in D Minor: Autre courante
11. Suite in D Minor: Sarabande
12. Suite in D Minor: Gigue
13. Suite in D Minor: Gavotte avec double par M. Couperin
14. Sarabande grave en forme de gaillarde
15. Toccata in A Minor
16. Sarabande
17. Tombeau de Mr de Blancrocher
18. Sarabande
19. Suite in C Major: Allemande
20. Suite in C Major: Courante
21. Suite in C Major: Autre courante
22. Suite in C Major: Sarabande
23. Suite in C Major: Gigue
24. Suite in C Major: Chaconne
25. Suite in G Minor: Prélude
26. Suite in G Minor: Allemande
27. Suite in G Minor: Courante
28. Suite in G Minor: Sarabande
29. Suite in G Minor: Passacaille
The Bauyn Manuscript, a key collection of seventeenth century harpsichord and other music, displays the influence of various schools of composition on the writing and performance of the great clavecinistes of the mid- seventeenth century. The recording includes works of Chambonnières and Louis Couperin, displaying their different styles which led Le Gallois (1680) to write that "one touched the heart and the other touched the ear", as well as other contemporary composers such as Hardel and d'Anglebert.
The Denis harpsichord of 1658 is the extraordinary protagonist of this recording, in which Giulia Nuti explores the expressive capacities of one of the earliest extant French double-manual harpsichords, displaying how instrumental refinement enables performance choices. The approach is that of Giulia Nuti's award-winning first solo recording of eighteenth -century French harpsichord music, Les Sauvages, recorded on the Taskin of 1788, which received a Diapason d'Or.
Hearing this music through the voice of the Denis harpsichord accesses the sound world in which these pieces belong and should be understood.