Mario Prisuelos - Tomás Marco Piano Works (2017) [Hi-Res]

Tracklist
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01. Soleá
02. Fétiches
03. Sonata en Forma de Cármenes: I. Profundo Carmen
04. Sonata en Forma de Cármenes: II. Secreto Carmen
05. Sonata en Forma de Cármenes: III. Ardiente Carmen
06. Giardini Scarlattiani (Sonata de Madrid): I. Prado de San Isidro
07. Giardini Scarlattiani (Sonata de Madrid): II. Prado Viejo
08. Giardini Scarlattiani (Sonata de Madrid): III. Buen Retiro
09. 3 Piezas Minuto: No. 1, Hai ku
10. 3 Piezas Minuto: No. 2, Nana para el Soñar de Beatriz
11. 3 Piezas Minuto: No. 3, Por el Sendero Que a Algún Lugar Conduce
12. Toccata en moto perpetuo
13. Movilidad de la escultura: I. La Victoria de Samotracia Sobrevuela la Escalinata del Louvre
14. Movilidad de la escultura: II. Koré y Kyros Junto a un Chac Mool
15. Movilidad de la escultura: III. Bernini Coronado Con el Laurel de Daphne
16. Movilidad de la escultura: IV. Viento de Chirino Meciendo un Calder
17. Movilidad de la escultura: V. Pietà Rondanini
18. Movilidad de la escultura: VI. Pájaros de Brancusi Atraviesan Huecos de Moore
19. Movilidad de la escultura: VII. Paolina Borghese Abandona el Diván

Tomás Marco deconstructs reality to recompose it and return it interpreted and transformed in a work of art, achieving what Hegel denominated “the sensitive appearance of the idea”, that is, knowledge, which “puts man before himself” and makes of art “a experience that transforms whom experiments it” (Gadamer, Truth and Method) and which, unlike Nietzsche, for whom his time was not radically “his time”, philosophically places him in the time he has to live. Tomás Marco is a man of his time that cultivates, explores and scrutinises with his look that is always critic and never free from enriching eagerness. He fulfils what his time demands him and, as a result, his work is developing as one of the historical reasons of our time.

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