Lucia Wisse - Naderman: 7 Sonatinas progressives, Op. 92 (2018) [Hi-Res]
Artist: Lucia Wisse
Title: Naderman: 7 Sonatinas progressives, Op. 92
Year Of Release: 2018
Label: Centaur Records, Inc.
Genre: Classical
Quality: flac lossless / flac 24bits - 96.0kHz
Total Time: 00:50:28
Total Size: 219 / 818 mb
WebSite: Album Preview
TracklistTitle: Naderman: 7 Sonatinas progressives, Op. 92
Year Of Release: 2018
Label: Centaur Records, Inc.
Genre: Classical
Quality: flac lossless / flac 24bits - 96.0kHz
Total Time: 00:50:28
Total Size: 219 / 818 mb
WebSite: Album Preview
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01. 7 Sonates progressives, Op. 92, No. 1 in E-Flat Major: I. Allegro moderato
02. 7 Sonates progressives, Op. 92, No. 1 in E-Flat Major: II. Rondoletto. Allegretto
03. 7 Sonates progressives, Op. 92, No. 2 in C Minor: I. Allegro maestoso
04. 7 Sonates progressives, Op. 92, No. 2 in C Minor: II. Tocataa. Allegretto
05. 7 Sonates progressives, Op. 92, No. 3 in B-Flat Major: I. Allegro moderato fieramente
06. 7 Sonates progressives, Op. 92, No. 3 in B-Flat Major: II. Andante con spirito
07. 7 Sonates progressives, Op. 92, No. 3 in B-Flat Major: III. Anglaise rondoletto
08. 7 Sonates progressives, Op. 92, No. 4 in G Minor: I. Allegro maestoso
09. 7 Sonates progressives, Op. 92, No. 4 in G Minor: II. Ecossaise rondoletto
10. 7 Sonates progressives, Op. 92, No. 5 in F Major: I. Allegro maestoso
11. 7 Sonates progressives, Op. 92, No. 5 in F Major: II. Tempo di minuetto
12. 7 Sonates progressives, Op. 92, No. 6 in D Minor: II. Allegro disperato
13. 7 Sonates progressives, Op. 92, No. 6 in D Minor: III. Rondoletto
14. 7 Sonates progressives, Op. 92, No. 7 in C Major: I. Allegro brillante poco moderato
15. 7 Sonates progressives, Op. 92, No. 7 in C Major: II. Rondoletto
Parisian composer F.J. Naderman wrote some of the most beautiful harp music of the first half of the 19th Century. Based in the Netherlands, Lucia Wisse loves this music, and it shows in these committed, passionate performances. Lucia Wisse began studying harp with Margot Flipse-Broeders at the age of 6. After Margot’s death, Lucia inherited her harp because she was her most promising pupil at the time. Lucia followed with lessons with Helga Terlouw-van Renesse, Edward Witsenburg, and in Brussels with Susanna Mildonian. She studied at the conservatory in Utrecht with Emily Boedijn. She followed master classes with big names and won prizes at various competitions. As a soloist she has performed with orchestras at home and abroad.