Lore Binon & Inge Spinette - Les poètes maudits (2017) [Hi-Res]

Tracklist
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01. Apparition, Elegiac Songs and Vocalises for Soprano and Amplified Piano: I. The Night in Silence Under Many a Star
02. Chansons grises: V. L’heure exquise
03. Ariettes oubliées, L. 60: I. C’est l’extase
04. Ariettes oubliées, L. 60: V. Aquarelles I, Green
05. Trois poèmes de Mallarmé, L.127: III. L’éventail
06. Le rossignol éperdu, première suite: No. 7, Les deux écharpes
07. Trois poèmes de Mallarmé, L.127: II. Placet futile
08. Mélodies: D’une prison
09. Le rossignol éperdu, première suite: No. 17, Ivresse
10. Le rossignol éperdu, première suite: No. 14, Portrait
11. Trois poèmes de Mallarmé, L.127: I. Soupir
12. Chansons grises: I. Chanson d’automne
13. Apparition, Elegiac Songs and Vocalises for Soprano and Amplified Piano: IX. The Night in Silence Under Many a Star
14. Apparition, Elegiac Songs and Vocalises for Soprano and Amplified Piano: III. When Lilacs Last in the Dooryard Bloom’d
15. Apparition, Elegiac Songs and Vocalises for Soprano and Amplified Piano: V. Vocalise No. 2, Invocation to the Dark Angel
16. Allegro appassionato
17. Préludes, Livre I, L. 117: VI. Des pas sur la neige
18. Ariettes oubliées, L. 60: III. L’ombre des arbres
19. Les feuilles blessées: II. Encor sur le pavé, sonne mon pas nocturne
20. Ariettes oubliées, L. 60: VI. Aquarelles II, Spleen
21. Le rossignol éperdu, première suite: No. 24, Effet de la nuit sur la Seine
22. Le rossignol éperdu, première suite: No. 22, Ouranos
23. Apparition, Elegiac Songs and Vocalises for Soprano and Amplified Piano: VII. Vocalise No. 3, Death Carol ("Song of the Nightbird")
24. Apparition, Elegiac Songs And Vocalises For Soprano And Amplified Piano: VIII. Come Lovely And Soothing Death

In 1884, Paul Verlaine published an anthology entitled Les poètes maudits, a work paying homage to French Parnassianism and giving meaning to the concept of the poète maudit (accursed poet), so specific to the period towards the end of the nineteenth century and to the angst of its writers. Their names – Verlaine, Baudelaire, Rimbaud, de Lautréamont, Corbière, de Nerval and Mallarmé – and their existential malaise are reflected in the works of the musicians of their time.

This is Inge Spinette’s fifth release with Fuga Libera, and this time she is joined by the talented soprano Lore Binon. In this album, the duo focus on the enduring link between poetry and music, applying their talents to works by Claude Debussy and Reynaldo Hahn, in dialogue with the American composer George Crumb. They create a perfect alchemy in which the hues of these composers are revealed in all their delicate nuances.

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