Arta Arnicane - Aqua (2017) [Hi-Res]

Tracklist
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01. 3 Reminiscences, Op. 43: No. 1, Près de la mer
02. Jeux d'eau, M. 30
03. By the Stream
04. Barcarole
05. Miroirs, M. 43: No. 3, Une barque sur l'océan
06. 10 Small Pieces for Children: No. 8, Silver Rain Was Falling
07. Années de pèlerinage I, S. 160: No. 4, Au bord d'une source
08. Watercolours: No. 1, Waterfall of Pērse
09. 2 Pieces, Op. 41: No. 2, Song of the Waves
10. Images, Book 1, L. 110: No. 1, Reflets dans l'eau
11. Images, Book 2, L. 111: No. 3, Poissons d'or
12. Wasserklavier
13. Lyric Pieces, Book 7, Op. 62: No. 4, Brooklet
14. Préludes, Book 1, L. 117: No. 10, La cathédrale engloutie
15. 12 Lieder von Schubert, S. 558: No. 2, Auf dem Wasser zu singen
16. 24 Préludes, Op. 28: No. 15 in D-Flat Major "Raindrop"

Water, in all its myriad of moods. Just imagine the sea, waves reflecting the shimmering silver and gold of the suns rays; a babbling brook, its bed bejewelled with iridescent stones; deep water radiating a soft, serene, blue light; raindrops falling from a pallid sky like tears shed by a heart rent with sorrow...The young Latvian pianist, Arta Arnicane, lends all this to her grand piano, with works by Chopin, Debussy, Grieg, Liszt and Ravel as well as Berio, eptis and ilinskis and many more. Communication with the audience, as well as talent for creating a special concert atmosphere have taken the young Latvian pianist Arta Arnicane to a large variety of performance venues across the world. Her quality of winning listeners full attention, combined with the warmth and intelligence of her programmes and interpretations, allows her to fascinate both small gatherings and large audiences in concert halls alike.

“Her totally secure, innate authority is matched by her deeply considered and often profound approach during her performances, far removed from much of the more shallow and superficial playing that abounds nowadays. She totally lacks any form of affectation and has an innate but rarely found sense of structure. Needless to say, these qualities are matched by a formidable technique.” (John Lill)

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