The Savage Rose - Refugee & Dødens Triumf (1971-72/2008) Lossless
Artist: The Savage Rose, Savage Rose
Title: Refugee & Dødens Triumf
Year Of Release: 1971-72/2008
Label: Pelin Records
Genre: Prog Rock, Psychedelic Rock
Quality: Mp3 320 / Flac (image, .cue, log)
Total Time: 01:18:16
Total Size: 194/490 Mb (scans)
WebSite: Album Preview
Title: Refugee & Dødens Triumf
Year Of Release: 1971-72/2008
Label: Pelin Records
Genre: Prog Rock, Psychedelic Rock
Quality: Mp3 320 / Flac (image, .cue, log)
Total Time: 01:18:16
Total Size: 194/490 Mb (scans)
WebSite: Album Preview
Tracklist:
01. REVIVAL DAY
02. DEAR LITTLE MOTHER
03. GRANNY'S GRAVE
04. BALLAD OF GALE
05. REFUGEE
06. AND I DREAM
07. DREAMLAND
08. WALKING IN THE LINE
09. THE CITY WAKES UP
10. THE YOUNG LOVERS
11. THE DEATH OF A CITIZEN
12. THE TWO OLD PEOPLE
13. THE BRIDE IS BEING DECORATED
14. WEDDING
15. DEATH OF THE SOLDIERS
16. THE DEAD CITY
17. DEAR LITTLE MOTHER
Annisette - vocal
Anders Koppel - organ, accordeon, clarinet
Thomas Koppel - piano
Per Frost - guitar
Rudolph Hansen - bass
Ken Gudmann – drums
One of the most well-known rock groups from Continental Europe, Denmark's Savage Rose recorded a wealth of intriguing and eclectic progressive rock in the late '60s and '70s. In their early work, one hears faint echoes of the Airplane, Doors, Pink Floyd, and other psychedelic heavyweights combined with classical jazz and Danish-Euro folk elements. Their arrangements rely heavily on an incandescent, watery organ that sounds like nothing so much as psychedelic aquarium music. The most striking aspect of the band's sound, however, was the vocals of lead singer Annisette. Her childish wispy and sensual phrasing can suddenly break into jarring, almost histrionic wailing, like a Janis Joplin with Yoko Ono-isms, and eerily foreshadows Kate Bush's style.
Refugee Stars in their native land, Savage Rose also achieved a bit of underground success abroad, and several of their albums were released in North America. Between 1968 and 1978, the group released nine albums, moving from vaguely psychedelic rock and the heavily gospel-influenced Refugee to the nearly classical ballet score Dodens Triumf and the folky, nearly all-Danish Solen Var Ogsa Din (their first eight albums were sung entirely in English).
Always a radical band -- the Black Panthers even invited the group to play at a benefit for Bobby Seale after hearing one of Savage Rose's records -- they took the extremely radical step of withdrawing from the studio entirely by the end of 1970s to focus on using their music to support leftist political causes. Although they continued to make music and perform, they were often heard at benefits and free concerts, actually playing in Lebanese hospitals, schools, and refugee camps at the P.L.O.'s invitation. They eased back into recording in the early '80s with Danish-language efforts on small labels, eventually getting back into the mainstream music business with established distribution. Their mid-'90s album, Black Angel, was their first English-language recording in many years, and a substantial Danish hit. By this time the only remaining members from the original band were Thomas Koppel and Annisette (now his wife); Koppel also records and composes symphonic music as a solo artist.
Refugee Stars in their native land, Savage Rose also achieved a bit of underground success abroad, and several of their albums were released in North America. Between 1968 and 1978, the group released nine albums, moving from vaguely psychedelic rock and the heavily gospel-influenced Refugee to the nearly classical ballet score Dodens Triumf and the folky, nearly all-Danish Solen Var Ogsa Din (their first eight albums were sung entirely in English).
Always a radical band -- the Black Panthers even invited the group to play at a benefit for Bobby Seale after hearing one of Savage Rose's records -- they took the extremely radical step of withdrawing from the studio entirely by the end of 1970s to focus on using their music to support leftist political causes. Although they continued to make music and perform, they were often heard at benefits and free concerts, actually playing in Lebanese hospitals, schools, and refugee camps at the P.L.O.'s invitation. They eased back into recording in the early '80s with Danish-language efforts on small labels, eventually getting back into the mainstream music business with established distribution. Their mid-'90s album, Black Angel, was their first English-language recording in many years, and a substantial Danish hit. By this time the only remaining members from the original band were Thomas Koppel and Annisette (now his wife); Koppel also records and composes symphonic music as a solo artist.