Carmen Gomes Inc. - Carmen Gomes Sings The Blues (2017) [Hi-Res]
Artist: Carmen Gomes Inc.
Title: Carmen Gomes Sings The Blues
Year Of Release: 2017
Label: Rhapsody Analog Recordings
Genre: Jazz, Vocal Jazz
Quality: 320 / FLAC (tracks) / FLAC (tracks) 24bit-192kHz
Total Time: 51:57
Total Size: 119 / 274 Mb / 2.21 Gb
WebSite: Album Preview
Tracklist:Title: Carmen Gomes Sings The Blues
Year Of Release: 2017
Label: Rhapsody Analog Recordings
Genre: Jazz, Vocal Jazz
Quality: 320 / FLAC (tracks) / FLAC (tracks) 24bit-192kHz
Total Time: 51:57
Total Size: 119 / 274 Mb / 2.21 Gb
WebSite: Album Preview
01. A Fool For You (03:47)
02. Sinner's Prayer (05:14)
03. In The Evenin' Mama (06:23)
04. God Bless The Child (06:01)
05. Mary Ann (03:30)
06. Losing Hand (05:37)
07. Hallelujah I Love Her So (05:25)
08. The Way That I Feel (04:47)
09. One For My Baby (04:42)
10. Cotton Fields (02:24)
11. Fare Thee Well (04:07)
That Carmen Gomes Inc. would take on the challenge of reinterpreting Harry Belafonte's 'Belafonte Sings the Blues' was originally suggested by Harry van Dalen, owner of the eminent High End audio shop Rhapsody. He thought that Carmen’s band would be perfect for reinterpreting the mood and the sound of the classic album. Carmen immediately loved the idea.
'Belafonte Sings the Blues' was one of her favorite albums when she as a kid spent countless hours listening to music and making cassette tape compilations from her parents vast LP collection.
"I had a 60 minutes tape that I made consisting of my favorite songs from the Sings the Blues albums of Harry Belafonte, Nina Simone, Ray Charles, Memphis Slim and Muddy Waters. The tape eventually broke and got eaten by the machine, that's how much I played it!" Carmen recalls.
So when confronted with the task of making the arrangements of the songs for 'Carmen Gomes sings the Blues', I first recreated Carmen’s 60 minute tape for inspiration. Since my recreation was in the digital domain, it was not possible to wear out the tape, but I did listen to it extensively. It became clear to me that in order to capture the spirit of those blues albums, I would have to keep the arrangements as simple as possible in order to give the musicians the opportunity to play straight from the heart.
Some songs were kept close to the original arrangement, while a song like the 'Way That I Feel', was completely reharmonized. Others like 'Hallelujah, I Just Love Her So' had the form extended in order to create more space. Muddy Waters’ Mannish Boy, while not being on the album is paraphrased in the introduction to 'God Bless The Child' and 'Losing Hand'.
The 11 songs were recorded live in the studio in front of a studio audience.
'Belafonte Sings the Blues' was one of her favorite albums when she as a kid spent countless hours listening to music and making cassette tape compilations from her parents vast LP collection.
"I had a 60 minutes tape that I made consisting of my favorite songs from the Sings the Blues albums of Harry Belafonte, Nina Simone, Ray Charles, Memphis Slim and Muddy Waters. The tape eventually broke and got eaten by the machine, that's how much I played it!" Carmen recalls.
So when confronted with the task of making the arrangements of the songs for 'Carmen Gomes sings the Blues', I first recreated Carmen’s 60 minute tape for inspiration. Since my recreation was in the digital domain, it was not possible to wear out the tape, but I did listen to it extensively. It became clear to me that in order to capture the spirit of those blues albums, I would have to keep the arrangements as simple as possible in order to give the musicians the opportunity to play straight from the heart.
Some songs were kept close to the original arrangement, while a song like the 'Way That I Feel', was completely reharmonized. Others like 'Hallelujah, I Just Love Her So' had the form extended in order to create more space. Muddy Waters’ Mannish Boy, while not being on the album is paraphrased in the introduction to 'God Bless The Child' and 'Losing Hand'.
The 11 songs were recorded live in the studio in front of a studio audience.