Sokratis Sinopoulos - Lachrimæ Lyræ - Tears of Exile (2019)
Artist: Sokratis Sinopoulos
Title: Lachrimæ Lyræ - Tears of Exile
Year Of Release: 2019
Label: Fuga Libera
Genre: Classical
Quality: FLAC (tracks)
Total Time: 65:36 min
Total Size: 289 MB
WebSite: Album Preview
Tracklist:Title: Lachrimæ Lyræ - Tears of Exile
Year Of Release: 2019
Label: Fuga Libera
Genre: Classical
Quality: FLAC (tracks)
Total Time: 65:36 min
Total Size: 289 MB
WebSite: Album Preview
01. Vega
02. Lachrimæ antiquæ (Improvisation After the Lachrimæ or Seaven Teares by John Dowland)
03. Lachrimæ antiquæ Novæ (Improvisation After the Lachrimæ or Seaven Teares by John Dowland)
04. Sheliak
05. Lachrimæ gementes (Improvisation After the Lachrimæ or Seaven Teares by John Dowland)
06. Lachrimæ tristes (Improvisation After the Lachrimæ or Seaven Teares by John Dowland)
07. Lachrimæ coactæ (Improvisation After the Lachrimæ or Seaven Teares by John Dowland)
08. Lachrimæ amantis (Improvisation After the Lachrimæ or Seaven Teares by John Dowland)
09. Lachrimæ veræ (Improvisation After the Lachrimæ or Seaven Teares by John Dowland)
10. Sulafat
11. Sir John Souch His Galliard (Improvisation After the Lachrimæ or Seaven Teares by John Dowland)
12. Aladfar
13. The King of Denmark Galliard (Improvisation After the Lachrimæ or Seaven Teares by John Dowland)
14. M. Giles Hobies His Galliard (Improvisation After the Lachrimæ or Seaven Teares by John Dowland)
15. Captaine Digorie Piper His Galliard (Improvisation After the Lachrimæ or Seaven Teares by John Dowland)
16. M. Bucton his Galliard (Improvisation After the Lachrimæ or Seaven Teares by John Dowland)
17. Alathfar
18. M. Nichols Almand (Improvisation After the Lachrimæ or Seaven Teares by John Dowland)
19. The Earl of Essex Galliard (Improvisation After the Lachrimæ or Seaven Teares by John Dowland)
20. Semper Dowland semper Dolens (Improvisation After the Lachrimæ or Seaven Teares by John Dowland)
This collaboration between a consort of viols and the Greek lyra takes John Dowland’s Lachrimæ or Seaven Teares as its point of departure; together they paint a transverse and stateless picture of melancholy, although this is set against the joyful hope of a shining future that appears in these improvisations and timeless Anglo-Byzantine dances.
