Mel Tormé With The Marty Paich Dek-Tette - Mel Tormé And The Marty Paich Dek-Tette (2014) [HDtracks]
Artist: Mel Tormé With The Marty Paich Dek-Tette
Title: Mel Tormé And The Marty Paich Dek-Tette
Year Of Release: 1956/2014
Label: Bethlehem Records
Genre: Vocal Jazz
Quality: FLAC (tracks) 24/96
Total Time: 38:28
Total Size: 671 MB
WebSite: Album Preview
Tracklist:Title: Mel Tormé And The Marty Paich Dek-Tette
Year Of Release: 1956/2014
Label: Bethlehem Records
Genre: Vocal Jazz
Quality: FLAC (tracks) 24/96
Total Time: 38:28
Total Size: 671 MB
WebSite: Album Preview
01. Lulu's Back In Town (3:05)
02. When The Sun Comes Out (3:18)
03. I Love To Watch The Moonlight (2:51)
04. Fascinating Rhythm (2:28)
05. The Blues (3:33)
06. The Carioca (3:18)
07. The Lady Is A Tramp (2:48)
08. I'd Like To Recognize The Tune (3:14)
09. Keeping Myself For You (3:42)
10. When April Comes Again (2:56)
11. Lullaby Of Birdland (4:50)
12. Sing For Your Supper (2:24)
Personnel:
Mel Tormé - vocals
Marty Paich - piano
Don Fagerquist, Pete Candoli - trumpet
Bob Enevoldsen - trombone, Albert Pollan - tuba
John Cave, Vince DeRosa - french horn
Bud Shank - alto saxophone, Bob Cooper, Jack Montrose - tenor saxophone, Jack DuLong - baritone saxophone
Red Mitchell - bass
Mel Lewis - drums
After flirting with bobby-soxer idolatry early in his career, Mel Tormé teamed up with arranger Marty Paich to explore the full range of his artistic potential. Together they conceived the idea of a 10-piece instrumental backing ensemble they dubbed the "Dek-tette". On this reissue of 1956's Bethlehem LP, Tormé is found singing with one of those Dek-tettes. Our featured track is the song that would become a Tormé trademark, "Lulu's Back in Town".
AllMusic Review by John Bush
The uptempo, swinging album that naturally followed It's a Blue World (Tormé's languorous debut for Bethlehem), Mel Tormé with the Marty Paich Dek-tette is a vocal masterpiece, an extremely satisfying record achieved only by a fusion of an excellent voice, an excellent band, and excellent material. Tormé had been inspired musically by the swinging West Coast cool group of Gerry Mulligan; accordingly, he made sure that his new musical arranger, Marty Paich, was of a similar mind. The two came up with the "Dek-tette," a group including no more than ten pieces and heavy on the stinging brass (including Pete Candoli and Don Fagerquist on trumpet, Bob Enevoldsen on trombone, and two French horns). The band is incredibly sympathetic and appears to hang on Tormé's every word. The material, as well, is pure gold: Tormé is as buoyant and exuberant as he's ever been, resulting in fantastic, definitive versions of inimitable standards like "Lullaby of Birdland," "Fascinating Rhythm," and "The Lady Is a Tramp." There are a few down-tempo numbers ("The Blues," "Keeping Myself for You"), but even on these Tormé sounds like he can't wait to get to the next song and really stretch out. [After its first release in 1956 as Mel Tormé with the Marty Paich Dek-tette, the album was reissued many times under various titles (Lulu's Back in Town, The Tormé Touch), but surprisingly never on CD. Rhino finally rectified the situation with the album's first CD release (as Lulu's Back in Town) in 1999.]
AllMusic Review by John Bush
The uptempo, swinging album that naturally followed It's a Blue World (Tormé's languorous debut for Bethlehem), Mel Tormé with the Marty Paich Dek-tette is a vocal masterpiece, an extremely satisfying record achieved only by a fusion of an excellent voice, an excellent band, and excellent material. Tormé had been inspired musically by the swinging West Coast cool group of Gerry Mulligan; accordingly, he made sure that his new musical arranger, Marty Paich, was of a similar mind. The two came up with the "Dek-tette," a group including no more than ten pieces and heavy on the stinging brass (including Pete Candoli and Don Fagerquist on trumpet, Bob Enevoldsen on trombone, and two French horns). The band is incredibly sympathetic and appears to hang on Tormé's every word. The material, as well, is pure gold: Tormé is as buoyant and exuberant as he's ever been, resulting in fantastic, definitive versions of inimitable standards like "Lullaby of Birdland," "Fascinating Rhythm," and "The Lady Is a Tramp." There are a few down-tempo numbers ("The Blues," "Keeping Myself for You"), but even on these Tormé sounds like he can't wait to get to the next song and really stretch out. [After its first release in 1956 as Mel Tormé with the Marty Paich Dek-tette, the album was reissued many times under various titles (Lulu's Back in Town, The Tormé Touch), but surprisingly never on CD. Rhino finally rectified the situation with the album's first CD release (as Lulu's Back in Town) in 1999.]