Marcin Markowicz & Grzegorz Skrobiński - Different Things (2017) [Hi-Res]
Artist: Marcin Markowicz, Grzegorz Skrobiński
Title: Different Things
Year Of Release: 2017
Label: CD Accord
Genre: Classical, Chamber Music
Quality: flac lossless / flac 24bits - 96.0kHz +Booklet
Total Time: 01:10:08
Total Size: 321 / 1241 mb
WebSite: Album Preview
TracklistTitle: Different Things
Year Of Release: 2017
Label: CD Accord
Genre: Classical, Chamber Music
Quality: flac lossless / flac 24bits - 96.0kHz +Booklet
Total Time: 01:10:08
Total Size: 321 / 1241 mb
WebSite: Album Preview
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01. Much Ado About Nothing Suite, Op. 11 (Version for Violin & Piano): I. Mädchen im Brautgemach
02. Much Ado About Nothing Suite, Op. 11 (Version for Violin & Piano): II. Holzapfel und Schlehwein
03. Much Ado About Nothing Suite, Op. 11 (Version for Violin & Piano): III. Gartenscene
04. Much Ado About Nothing Suite, Op. 11 (Version for Violin & Piano): IV. Mummenschanz
05. Violin Sonata in G Major: I. Allegretto cantabile con moto
06. Violin Sonata in G Major: II. Largo sostenuto
07. Violin Sonata in G Major: III. Allegro assai moderato-Tempo vivace
08. Suite in Old Style, Op. 80: I. Pastorale "First Leaf"
09. Suite in Old Style, Op. 80: II. Ballet "Story"
10. Suite in Old Style, Op. 80: III. Minuet "Old World"
11. Suite in Old Style, Op. 80: IV. Fugue "Creation"
12. Suite in Old Style, Op. 80: V. Pantomime "Sunday"
13. Violin Sonata: I. —
14. Violin Sonata: II. —
15. Violin Sonata: III. —
Korngold, Rota, Schnittke, Glass – four different artistic personalities. Each of these composers was active in totally different conditions; and therefore their life circumstances and consequently their artistic choices are incomparable. What may connect Korngold and Nino Rota are their early debuts as composers – both were prodigies. Seeking analogies in the lives of Alfred Schnittke and Philip Glass would come to naught.
There is, however, another common denominator for their work – all of them were hugely successful in writing film music. Korngold codified its modern canons ruling to this day. Without Nino Rota it would be difficult to imagine Federico Fellini’s masterpieces. Alfred Schnittke found in the realm of cinema a domain of relative artistic freedom; Philip Glass a platform for his ambitiously non-clichéd art, opposing the musical mainstream of the last decades of the 20th century and the first decades of the 21st century. Is this a sufficient reason to compare their non-cinematographic compositions for violin and piano? If not, one could find another one, as each of the four pieces in its unique way runs a dialogue with the past.
There is, however, another common denominator for their work – all of them were hugely successful in writing film music. Korngold codified its modern canons ruling to this day. Without Nino Rota it would be difficult to imagine Federico Fellini’s masterpieces. Alfred Schnittke found in the realm of cinema a domain of relative artistic freedom; Philip Glass a platform for his ambitiously non-clichéd art, opposing the musical mainstream of the last decades of the 20th century and the first decades of the 21st century. Is this a sufficient reason to compare their non-cinematographic compositions for violin and piano? If not, one could find another one, as each of the four pieces in its unique way runs a dialogue with the past.