Rose Consort of Viols & Clare Wilkinson - William Byrd & Peter Philips: Adoramus Te (2014)

  • 01 Sep, 09:46
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Title: William Byrd & Peter Philips: Adoramus Te
Year Of Release: 2014
Label: Deux-Elles
Genre: Classical
Quality: FLAC (image + .cue, log, artwork)
Total Time: 72:39 min
Total Size: 387 MB
WebSite:

Tracklist:

01 Pavana & Galliardo [3:35]
02 Ah silly soul [3:53]
03 Haec dicit Dominus [4:46]
04 Passamezzo Pavan [6:30]
05 Viae Sion lugent [2:59]
06 Trio in the third mode [2:30]
07 Ego sum panis/Et panis quem [4:15]
08 Attollite portas [4:07]
09 Constant Penelope [2:37]
10 How vain the toils [2:59]
11 Fantazia No.1 a6 [2:42]
12 Fantazia No.2 a6 [2:32]
13 Domine secundum actum meum [6:51]
14 Pavana & Galiarda Dolorosa [6:22]
15 Wretched Albinus [2:59]
16 With lilies white [5:43]
17 Adoramus te, Christe [1:42]
18 Trio in the first mode [3:00]
19 Pater noster [3:02]

The award-winning Rose Consort of Viols takes its name from the celebrated family of viol makers whose work spanned the flowering of the English consort repertoire. With its blend of intimacy, intricacy, passion and flamboyance, this music (ranging from Taverner and Byrd, to Lawes, Locke and Purcell) forms the basis of the Rose Consorts programmes. Their concerts often include guest soloists such as mezzo-soprano Clare Wilkinson, featured on this recording.

The Consort performs regularly at the York Early Music Festival and have also performed at the BBC Proms, Londons Cadogan Hall with vocal ensemble Tenebrae and National Gallery as well as venues throughout Europe, Canada and the USA.

Focusing on two eminent composers from the English Renaissance period, this disc of historic gems includes Philips earliest surviving piece Pavan dated as 1580 and two works published in Byrds last song collection from 1611. It is suggested that Philips intense Pavana Dolorosa was composed in 1593 while the composer was incarcerated on suspicion of plotting against Queen Elizabeth and although none of his original fantasias for viols have survived, Jacobean players frequently took vocal pieces to perform instrumentally. This is the case with the two six part pieces also featured on this disc, now given the title Fantazia.

The collection also includes rare examples of Byrds writing for voice and five viols, in which he uses the treble to create a delicate descant above the sung line and Latin motets. Byrd was preoccupied by the composition and publication of motets set to sacred texts in Latin throughout his career, despite the scarce opportunities for them to be performed in public during his lifetime in Protestant England.


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01) Peter Philips – Pavana and Galliardo (2014).flac
02) William Byrd – Ah silly soul (2014).flac
03) William Byrd – Haec dicit Dominus (2014).flac
04) Peter Philips – Passamezzo Pavan (2014).flac
05) Peter Philips – Viae Sion lugent (2014).flac
06) Peter Philips – Trio in the third mode (2014).flac
07) Peter Philips – Ego sum panis - Et panis quem (2014).flac
08) William Byrd – Attollite portas (2014).flac
09) William Byrd – Constant Penelope (2014).flac
10) William Byrd – How vain the toils (2014).flac
11) Peter Philips – Fantazia No.1 a6 (2014).flac
12) Peter Philips – Fantazia No.2 a6 (2014).flac
13) William Byrd – Domine secundum actum meum (2014).flac
14) Peter Philips – Pavana and Galiarda Dolorosa (2014).flac
15) William Byrd – Wretched Albinus (2014).flac
16) William Byrd – With lilies white (2014).flac
17) William Byrd – Adoramus te, Christe (2014).flac
18) Peter Philips – Trio in the first mode (2014).flac
19) Peter Philips – Pater noster (2014).flac
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