Terri Clark - How I Feel (1998/2019)
Artist: Terri Clark
Title: How I Feel
Year Of Release: 1998/2019
Label: UMC (Universal Music Catalogue)
Genre: Country
Quality: 320 kbps | FLAC (tracks)
Total Time: 00:46:26
Total Size: 109 mb | 336 mb
WebSite: Album Preview
Tracklist:Title: How I Feel
Year Of Release: 1998/2019
Label: UMC (Universal Music Catalogue)
Genre: Country
Quality: 320 kbps | FLAC (tracks)
Total Time: 00:46:26
Total Size: 109 mb | 336 mb
WebSite: Album Preview
01. I'm Alright
02. Now That I Found You
03. Everytime I Cry
04. That's How I Feel
05. You're Easy On The Eyes
06. Getting Even With The Blues
07. Till I Get There
08. Not Getting Over You
09. This Ole Heart
10. Cure For The Common Heartache
11. That's Me Not Loving You
12. Unsung Hero
With Just the Same, Terri Clark proved she was going to be around for a while, and that the impression her self-titled debut made was no fluke. And like most acts Luke Lewis oversees, she's been allowed to grow with each release. How I Feel opens with one of the best songs written in the country genre in the preceding decade or so, Kim Richey's testimonial anthem "I'm Alright" from her own Bitter Sweet album. In Clark's interpretation, the song is less Americana and more mainstream pop-country, but Clark's voice is no ordinary instrument. She delivers both the humor and the pathos in the tune without forcing the issue. Produced by Keith Stegall, Clark is allowed to let her natural voice more fully into the mix. Her inflections are her own, and the songs are well suited to her forthright style of delivery. To say that Clark is emotive is one thing, to say that her voice is the sound of emotion itself is another, and it is the latter that's true take a listen to "Everytime I Cry" or Clark's own "Not Getting Over You," a ballad ruled by her throaty contralto, gorgeous pedal steel fills, and synth strings that sound natural. "Till I Get There" displays just how comfortable Clark is with traditional country music. Despite the presence of a B-3 in the mix, the tune itself comes right out of the early '70s. Further, there is Melba Montgomery's classic "Cure for the Common Heartache," a honky tonk pearl handled expertly with the righteous brokenhearted Western swing blues bustin' out all over it. The sum total of these 12 songs is Clark's restlessness as a vocalist and as a songwriter. Her attempt to be true to country's traditions while riding the pop-country wave of the present creates a wonderful tension that never seems resolved. In addition, Clark's songwriting is stronger, more assured, and as recognizable as her voice. A fine effort.