Trapeze - Hold On (Reissue) (1976/1996)
Artist: Trapeze
Title: Hold On
Year Of Release: 1978/1996
Label: See For Miles Records
Genre: Rock, Hard Rock
Quality: Mp3 320 / Flac (image, .cue, log)
Total Time: 40:55
Total Size: 101/261 Mb (scans)
WebSite: Album Preview
Title: Hold On
Year Of Release: 1978/1996
Label: See For Miles Records
Genre: Rock, Hard Rock
Quality: Mp3 320 / Flac (image, .cue, log)
Total Time: 40:55
Total Size: 101/261 Mb (scans)
WebSite: Album Preview
Tracklist:
01. Don't Ask Me How I Know
02. Take Good Care
03. When You Go To Heaven
04. Livin' On Love
05. Hold On
06. Don't Break My Heart
07. Running
08. You Are
09. Time Will Heal
Line-up::
Lead Guitar & Vocals - Mel Galley
Lead Vocals & Guitar - Pete Goalby
Bass Guitar - Pete Wright
Drums - Dave Holland
Hold on is an album by the British hard rock band Trapeze. The album was originally released in Germany in 1978 under the name Running with a different track order and album cover. This was the first and only studio Trapeze album to feature vocalist Pete Goalby, who later worked with Uriah Heep.
Steve Huey called Hold On by Trapeze, reissued on CD in 1998, their "final proper studio album (and) quite possibly their best, as the group had perfected the sort of blustery heavy rock that filled arenas in the mid- to late-'70s." Credit must be given to the late producer of the Rolling Stones, Jimmy Miller, who smoothed out the gruff sound of a band like Motörhead, handing that particular group Overkill and Bomber, two metal classics that would not be the same without the production maestro's participation. Miller was also involved with the Plasmatics at this point in time, working multiple projects by influential bands who may not have had the impact of Jagger and Richards, but were still musically vital. So, too, with the straight-ahead blues-rock of Trapeze featuring founding members Mel Galley and Dave Holland. Miller tightens up their sound and puts it in a very proper setting, Savoy Brown with a bit of an edge. Mr. Jimmy's appreciation of the fusion of blues and rock was fundamental to his production style, and though there are none of his trademark percussion sounds here, extras that frosted the cake for artists from the Rolling Stones to Johnny Thunders, the three Pete Goalby originals, and six songs from guitarist Mel Galley play with briskness and uniform continuity from track to track. The toughness of "Take Good Care" and "When You Get to Heaven" is matched by the two best songs on the disc, the poppy title track, "Hold On," and the exquisite slow sustain of "Time Will Heal." You can hear Bad Company and Humble Pie in the grooves, the last song reflected in the back cover of a full moon and clouds against a night sky. It also recalls music Jimmy Miller created ten years earlier with the Hungarian group Locomotiv GT and Doug Fieger of Sky (later, the Knack). "Don't Break My Heart" veers off from Rolling Stones to Free, solid British rock with bite. Hold On by Trapeze may have a second life as Jimmy Miller's work outside of the Stones finds renewed appreciation.
Steve Huey called Hold On by Trapeze, reissued on CD in 1998, their "final proper studio album (and) quite possibly their best, as the group had perfected the sort of blustery heavy rock that filled arenas in the mid- to late-'70s." Credit must be given to the late producer of the Rolling Stones, Jimmy Miller, who smoothed out the gruff sound of a band like Motörhead, handing that particular group Overkill and Bomber, two metal classics that would not be the same without the production maestro's participation. Miller was also involved with the Plasmatics at this point in time, working multiple projects by influential bands who may not have had the impact of Jagger and Richards, but were still musically vital. So, too, with the straight-ahead blues-rock of Trapeze featuring founding members Mel Galley and Dave Holland. Miller tightens up their sound and puts it in a very proper setting, Savoy Brown with a bit of an edge. Mr. Jimmy's appreciation of the fusion of blues and rock was fundamental to his production style, and though there are none of his trademark percussion sounds here, extras that frosted the cake for artists from the Rolling Stones to Johnny Thunders, the three Pete Goalby originals, and six songs from guitarist Mel Galley play with briskness and uniform continuity from track to track. The toughness of "Take Good Care" and "When You Get to Heaven" is matched by the two best songs on the disc, the poppy title track, "Hold On," and the exquisite slow sustain of "Time Will Heal." You can hear Bad Company and Humble Pie in the grooves, the last song reflected in the back cover of a full moon and clouds against a night sky. It also recalls music Jimmy Miller created ten years earlier with the Hungarian group Locomotiv GT and Doug Fieger of Sky (later, the Knack). "Don't Break My Heart" veers off from Rolling Stones to Free, solid British rock with bite. Hold On by Trapeze may have a second life as Jimmy Miller's work outside of the Stones finds renewed appreciation.