Bois de Cologne - Early Music for Recorders and Harp (2004)

  • 09 Dec, 10:48
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Artist:
Title: Early Music for Recorders and Harp
Year Of Release: 2004
Label: Marc Aurel Edition
Genre: Classical
Quality: FLAC (image+.cue,log,scans)
Total Time: 55:49
Total Size: 375 Mb
WebSite:

Tracklist:

01. Anon., Italy, ca. 1340: Trotto
02. Anon., ca. 1340: O Ceteris
03. Anon., Spain, ca. 1500: Cancion: Nina y Vina
04. Guillaume de Machaut (1300-1377): Virelais: Quant je suis mis au retour / Mais souvent pleurent
Francesco Landini (1325-1397)
05. Questa fanciull amor
06. Quel sol che raggia
07. Donna il tuo partimento
08. Anon., ca. 1350: Lamenti di Tristano / La Rotta
09. Salomone Rossi (1570-1630): Sonata sopra l'aria di Ruggiero
10. Tarquino Merula (1595-1665): 'T Hane en't Henne-gekray
11. Anon., ca. 1580: Hühner G'schrei
12. Anon., 1280: In seculum artifex
13. Jacob Van Eyck (1590-1675): Amarilli mia bella
14. Simon Marco Uccelini (1603-1680): Aria sopra il Carporal
15. Thomas Preston (d after 1559): Uppon La Mi Re
16. Henry Purcell (1659-1695): Chaconne
17. Anon., England, 17th c.: Paul's Steeple
18. Thomas Tollett (1640-1696): Tollets Ground
19. Turlough O'Carolan (1670-1738): Princess Royal & Fanny Power
20. William Croft (1678-1727): Fluto Sonata Terza

Performers:
Bois de Cologne:
Meike Herzig & Dorothee Oberlinger (recorders)
Tom Daun (harp)

Historical harps, recorders, serpent, portative, fiddle and violin, not a common instrumentation - and a very vital one. Old-time music is not mimicked here, but lived: atmosphere, density without fuss. In the center the music itself: Music from the Middle Ages, the Renaissance, the Early Baroque.
Bois de Cologne's music-making is characterized by a love of improvisation and experimentation: many of the old melodies not only require a careful, source-critical arrengement, but also an imaginative interpretation. To empathize with the music of bygone eras and to be inspired by it - these are important aspects of Bois de Cologne's work.
The instruments are excellent replicas of historical models. The Harp plays melody or continuo; the recorders, from the tiny sopranino to the (externally) edgy headhigh sub-bass, are air spirits, voices, tongue art and breath. The fidel, bordun-colored, gently in viola position. Bois de cologne, a wood that bears special fruits.
The ensemble consists of a core that can expand depending on the project. From the duo recorder / harp to the quartet, different constellations are possible. The trio variant with gothic fiddle / violin is particularly specialized in medival music, the trio with two recorders and harp plays programs from early to high baroque.