Arne Domnerus - Jazz At The Pawnshop 3: Good Vibes (1976/2017) [DSD128 / Hi-Res]
Artist: Arne Domnerus
Title: Jazz At The Pawnshop 3: Good Vibes
Year Of Release: 2017
Label: 2xHD
Genre: Jazz
Quality: DSD128 (.dsf) 5,6 MHz/1 Bit / 24bit-192kHz FLAC (tracks+booklet)
Total Time: 55:06
Total Size: 4.36 / 2.00 GB
WebSite: Album Preview
Tracklist:Title: Jazz At The Pawnshop 3: Good Vibes
Year Of Release: 2017
Label: 2xHD
Genre: Jazz
Quality: DSD128 (.dsf) 5,6 MHz/1 Bit / 24bit-192kHz FLAC (tracks+booklet)
Total Time: 55:06
Total Size: 4.36 / 2.00 GB
WebSite: Album Preview
01. Now's the Time
02. Out of Nowhere
03. In a Mellotone: In a Mellow Tone
04. Take the A Train
05. Going Places: Jeepers Creepers: Jeepers Creepers
06. Struttin' with some Barbeque
Personne:
Arne Domnérus - alto saxophone, clarinet
Lars Erstrand - vibraphone
Bengt Hallberg - piano
Georg Riedel - acoustic bass
Egil Johansen - drums
The recordings that comprise Jazz At The Pawnshop, made by recording engineer Gert Palmcrantz in 1976, are widely regarded by audiophiles as the best jazz recordings of the 20th Century. Jazz At The Pawnshop 3 is the last in this series that revisits the legendary Stockholm sessions from musicians Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen, and Lars Erstrand, presenting five previously unreleased tracks that highlight the unique relationship these jazz musicians have, their fervent improvisations bonding them to each other and to their audience.
Jazz at the Pawnshop is considered one of the most famous audiophile albums in music. Recorded over two nights at the intimate Pawnshop jazz club in Stockholm, both the musicianship and the engineering came together in a magical symbiosis captured on this enduring classic. Recording engineer Gert Palmcrantz used one pair of microphones spaced eight inches apart for the main pick-up, with a couple of microphones placed to register the “live” atmosphere and a few discrete support mikes, all recorded on a pair of two-track Nagra tape recorders in the restaurant kitchen!
Jazz at the Pawnshop is considered one of the most famous audiophile albums in music. Recorded over two nights at the intimate Pawnshop jazz club in Stockholm, both the musicianship and the engineering came together in a magical symbiosis captured on this enduring classic. Recording engineer Gert Palmcrantz used one pair of microphones spaced eight inches apart for the main pick-up, with a couple of microphones placed to register the “live” atmosphere and a few discrete support mikes, all recorded on a pair of two-track Nagra tape recorders in the restaurant kitchen!