Valeria Sepe - Leoncavallo: Pagliacci (Live) (2020)
Artist: Valeria Sepe
Title: Leoncavallo: Pagliacci (Live)
Year Of Release: 2020
Label: Dynamic
Genre: Classical
Quality: FLAC (tracks+booklet)
Total Time: 75:31 min
Total Size: 342 MB
WebSite: Album Preview
Tracklist:Title: Leoncavallo: Pagliacci (Live)
Year Of Release: 2020
Label: Dynamic
Genre: Classical
Quality: FLAC (tracks+booklet)
Total Time: 75:31 min
Total Size: 342 MB
WebSite: Album Preview
01. Pagliacci, Prologue: Overture (Live)
02. Pagliacci, Prologue: Si può: Signore! Signori! (Live)
03. Pagliacci, Act I Scene 1: Son qua! Ritornano (Live)
04. Pagliacci, Act I Scene 1: Un grande spettacolo! (Live)
05. Pagliacci, Act I Scene 1: Un tal gioco, credetemi (Live)
06. Pagliacci, Act I Scene 1: I zampognari! (Live)
07. Pagliacci, Act I Scene 1: Don, din, don. Suona vespero (Live)
08. Pagliacci, Act I Scene 2: Qual fiamma aveva nel guardo! (Live)
09. Pagliacci, Act I Scene 2: Stridono lassù (Live)
10. Pagliacci, Act I Scene 2: Sei là: Credea che te ne fossi andato (Live)
11. Pagliacci, Act I Scene 3: Nedda! Silvio! A quest'ora (Live)
12. Pagliacci, Act I Scene 3: Decidi il mio destin (Live)
13. Pagliacci, Act I Scene 3: E allor perché, di', tu m'hai stregato (Live)
14. Pagliacci, Act I Scene 4: Cammina adagio (Live)
15. Pagliacci, Act I Scene 4: Recitar! (Live)
16. Pagliacci, Act I Scene 4: Vesti la giubba (Live)
17. Pagliacci, Act I Scene 4: Intermezzo (Live)
18. Pagliacci, Act II Scene 1: Presto, affrettiamoci (Live)
19. Pagliacci, Act II Scene 2: Pagliaccio, mio marito (Live)
20. Pagliacci, Act II Scene 2: O Colombina, il tenero fido Arlecchin (Live)
21. Pagliacci, Act II Scene 2: È dessa! Dèi, com'è bella (Live)
22. Pagliacci, Act II Scene 2: Arlecchin! Colombina! (Live)
23. Pagliacci, Act II Scene 3: Coraggio (Live)
24. Pagliacci, Act II Scene 3: No! Pagliaccio non son (Live)
25. Pagliacci, Act II Scene 3: Suvvia, così terrible (Live)
Premièred on 21 May 1892 at Milan’s Teatro Dal Verme under the baton of Arturo Toscanini, Pagliacci was an immediate success, and today it remains Leoncavallo’s best known opera, just as “Vesti la giubba” is perhaps one of the most famous operatic arias of all time.
The composer drew inspiration from a real incident that had occurred in a Calabrian town, an incident steeped in love and death, which inspired him to write his personal contribution to the new stylistic-aesthetic trend in Italian opera. In the Prologue, Leoncavallo inserted a clear manifesto on verismo (real theatre). His aim was to “paint a scene from real life” and since “the artist is a person, […] he should write for the people. Therefore, he took inspiration from real life.”
In the story of Nedda, Tonio and Canio we therefore find a well managed mix of art and reality, operatic theatre and life, with the latter almost superseding the former, to the extent that the chorus exclaims towards the end: “This scene seems so real!” This production, recorded at Teatro del Maggio Musicale Fiorentino in September 2019, was critically acclaimed.
The composer drew inspiration from a real incident that had occurred in a Calabrian town, an incident steeped in love and death, which inspired him to write his personal contribution to the new stylistic-aesthetic trend in Italian opera. In the Prologue, Leoncavallo inserted a clear manifesto on verismo (real theatre). His aim was to “paint a scene from real life” and since “the artist is a person, […] he should write for the people. Therefore, he took inspiration from real life.”
In the story of Nedda, Tonio and Canio we therefore find a well managed mix of art and reality, operatic theatre and life, with the latter almost superseding the former, to the extent that the chorus exclaims towards the end: “This scene seems so real!” This production, recorded at Teatro del Maggio Musicale Fiorentino in September 2019, was critically acclaimed.
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