Tami Krausz & Shuann Chai - Kühl, nicht lau (2020) [Hi-Res]

  • 12 Mar, 20:47
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Artist:
Title: Kühl, nicht lau
Year Of Release: 2020
Label: Ramée
Genre: Classical
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks+booklet)
Total Time: 67:06
Total Size: 289 MB / 1.12 GB
WebSite:

Tracklist:

01. Serenade in D Major for Piano and Flute, Op. 41: I. Entrata (Allegro) (4:05)
02. Serenade in D Major for Piano and Flute, Op. 41: II. Tempo ordinario d'un menuetto (5:10)
03. Serenade in D Major for Piano and Flute, Op. 41: III. Allegro molto (2:26)
04. Serenade in D Major for Piano and Flute, Op. 41: IV. Andante con variazioni (6:38)
05. Serenade in D Major for Piano and Flute, Op. 41: V. Allegro scherzando e vivace (2:16)
06. Serenade in D Major for Piano and Flute, Op. 41: VI. Adagio - Allegro vivace e disinvolto - Presto (5:59)
07. Capriccio in D Minor for Flute Solo, Op. 10b No. 9 (3:06)
08. Grande sonate concertante in A Minor for Piano and Flute, Op. 85: I. Allegro con passione (14:03)
09. Grande sonate concertante in A Minor for Piano and Flute, Op. 85: II. Scherzo (Allegro assai) (5:09)
10. Grande sonate concertante in A Minor for Piano and Flute, Op. 85: III. Adagio (8:19)
11. Grande sonate concertante in A Minor for Piano and Flute, Op. 85: IV. Rondo (Allegro poco agitato) (8:14)
12. Canon "Kühl, nicht lau", WoO 191 (1:46)

The early nineteenth century was an era of great stylistic changes in music, as composers searched for new forms of expression and tonal possibilities, which spurred rapid innovation in the field of instrument design and manufacturing. A larger sound spectrum and greater variety of technical possibilities became a defined ideal. Ludwig van Beethoven and Friedrich Kuhlau were musical giants of their time, both seeking to exploit fully the potential brought by these new developments. Beethovens Serenade bends the boundaries of Classicism with impulsive dynamic changes and contrasting motifs, while Kuhlaus Grande Sonate Concertante eagerly explores a more Romantic aesthetic, containing an expressive freedom in its virtuosic writing and rich harmonic textures. The juxtaposition of Beethoven and Kuhlaus music on this recording is inspired by the two composers' first and only encounter in Baden on the 2nd of September 1825. This charming moment in music history is remembered with a canon Beethoven wrote on the text 'Kühl, nicht lau' (cool, not lukewarm), a friendly pun on Kuhlau's name.

Tami Krausz, eight-keyed flute
Shuann Chai, fortepiano


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gracias....