Nikki & the Phantom Callers - Everybody's Going to Hell (But You and Me) (2020)

Nikki & the Phantom Callers’ new LP was recorded in late 2018 at Maze Studios in Atlanta. To record the album, Speake enlisted Ben Etter (Deerhunter, Cate Le Bon, Hazel English) as lead engineer and brought on Bronson Tew at Dial Back Sound (Drive-By Truckers) to master the record. The result is a crisp, expansive record with as much sonic depth as emotional resonance and an unmistakable Southern rock swagger.

It’s no wonder Everybody’s Going To Hell (But You and Me) drips with authenticity—this is the record Speake has been unconsciously working towards for decades; a raw, macabre expression of Southern experience that blends garage-pop, country and rock & roll into something all its own. “When I started doing open mics twenty years ago, I’d play country songs I wrote and a handful of Springsteen covers,” says Speake. “That country-rock sound has always been what I’ve wanted to make, it just took me a long time to find a group where I could make that happen. In all my other projects I’ve been a supporting player—and I love them—but this one is mine.”

Everybody’s Going To Hell (But You and Me) kicks off with its title track, a garagey barroom shuffle that soundtracks humanity’s descent to the underworld, inspired by a conversation with one of Speake’s patients in her job as a registered dietitian. The revelry in cheating damnation is short lived, though, as “Phantom Caller” finds Speake visited in dreams by the ghosts of those gone before her, begging for salvation that she’s unable to deliver, backed by layers of deceptively upbeat fuzz-pop. Later on the album, “Mamas Should Know,” finds Speake grappling with the death of her mother at a young age, lamenting the lost maternal influence in her formative years as she sings, “If you die before we wake / Don’t leave it all up to us to figure it out alone.”

Elsewhere on the record, “Howl With Me” nods to Speake’s country roots with a spin on the traditional murder-ballad, reflecting on the murderer’s remorse after that fact rather than recounting the specifics of the killing. The album’s centerpiece, “They’ve Never Walked Through Shadows,” wades through the mystery of the afterlife with the foreboding gait of a funeral march and the choral cadence of a gospel hymn, while closer “Fallen Angel,” explores depression, loneliness and the loss of hope atop crunchy guitars and gorgeously hazy backing vocals.

Speake didn’t write this collection of songs with the specific intention of investigating the myriad ways grief and loss manifest themselves throughout life, but the results speak for themselves. Everybody’s Going To Hell (But You and Me) stands not only as a spectacular debut from Nikki & the Phantom Callers, but as a deeply personal reflection on lives passed, loves lost, and a culture fixated on damnation.