The Avison Ensemble & Pavlo Beznosiuk - Handel: Concerti Grossi Op. 6 (2010) [Hi-Res]

  • 04 Apr, 09:03
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Artist:
Title: Handel: Concerti Grossi Op. 6
Year Of Release: 2010
Label: Linn Records
Genre: Classical
Quality: FLAC (tracks, booklet) [88.2kHz/24bit] / FLAC (image + .cue, log, artwork)
Total Time: 2:40:27
Total Size: 3.19 GB / 912 MB
WebSite:

Tracklist:

Disc 1
01 - 05] Concerto Grosso No. 1 in G
06 - 09] Concerto Grosso No. 2 in F
10 - 14] Concerto Grosso No. 3 in e
15 - 18] Concerto Grosso No. 4 in a
19 - 24] Concerto Grosso No. 5 in D

Disc 2
01 - 05] Concerto Grosso No. 6 in g
06 - 09] Concerto Grosso No. 7 in B flat
10 - 14] Concerto Grosso No. 8 in c
15 - 18] Concerto Grosso No. 9 in F

Disc 3
01 - 06] Concerto Grosso No. 10 in d
07 - 11] Concerto Grosso No. 11 in A
12 - 16] Concerto Grosso No. 12 in b

'Handel's unrivaled masterpieces of the concerto grosso form and style - his Twelve Grand Concertos, in seven parts, for four violins, a tenor, a violoncello, with a thorough-bass for the harpsichord - here receive their finest recording to date, with performances that leave all others - both period - and modern-instrument versions - in their wake. For obvious reasons these 12 concertos have remained popular since their publication in 1740: the irresistibly congenial tunes and engaging rhythms, the free-spirited fugues, endearing Largos and Adagios, and overall vivacious writing for all instruments elicits correspondingly high-spirited responses from anyone within earshot of these unrelentingly entertaining works.

Pavlo Beznosiuk and his Avison Ensemble have left not a single Handelian note unaccounted for nor a delightful phrase unturned, and the ensemble playing is simply electrifying, crackling and sparking with the kind of head-on accents and lilting rhythmic lift that this music requires but rarely enjoys. You don't have to already know this music to appreciate (my favorite) Concerto No. 4 in A minor HWV 322, with its scintillating allegros, or the thrillingly accented opening dialog of Concerto No. 5 HWV 323, or the many beautifully drawn slow-movement melodies and catchy, clever dance movements.

We can cite individual players for their impressive effort, but when virtually everyone is performing at such a high level it doesn't seem appropriate - this is definitely a triumph of ensemble performance, where everyone is a master of the medium and the material, all of which is beautifully realized by the stunningly realistic, resoundingly vibrant sound engineering. By now you've got the picture: Essential!'

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  • Young K.
  •  10:43
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Thanks a lot
  • topomono
  •  20:56
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Gracias!!!