MALEDIWY - Dolce Tsunami (2020)
Artist: MALEDIWY
Title: Dolce Tsunami
Year Of Release: 2020
Label: Coastline Northern Cuts
Genre: Jazz, Free Jazz
Quality: FLAC (tracks)
Total Time: 41:40 min
Total Size: 242 MB
WebSite: Album Preview
Tracklist:Title: Dolce Tsunami
Year Of Release: 2020
Label: Coastline Northern Cuts
Genre: Jazz, Free Jazz
Quality: FLAC (tracks)
Total Time: 41:40 min
Total Size: 242 MB
WebSite: Album Preview
01. Tremolo Accoppiamento
02. Poco a Poco Animando
03. Respiro con Forza
04. Parlando Funebre
05. Appassionato di una Corda
06. Lamento da capo al fine
07. Rubato Dispersione
08. Marciale Ballabile
09. Obbligato con Bravura
10. Rustico cantabile
11. Sotto Voce amoroso
Malediwy are a duo of great composers and improvisers - Qba Janicki (drums, electronics) and Marek Pospieszalski (saxophone). Artists very well known on the contemporary jazz and improvised music scene. They come from environments with many years of artistic traditions. They met at the Academy in Krakow, and develop friendship on the stage (in the projects of Wojtek Mazolewski Quintet, Tirvyous Wagon, Hot God, Power of the Horns and many others), as well as outside of it "when they waste time, health and money while accumulating rich emotions and experience. "
Unlike the first album of the duo, recorded during a concert in the Brain in Bydgoszcz, on "Dolce Tsunami" we will meet with studio material, which with its sound strongly differs from the connections with free jazz or freely interpreted African music, inspired by techniques and the way of structural thinking, characteristic for the sound art scene. This is due to the concentration of both artists on the topic of amplification of acoustic instruments using piezoelectric transducers or guitar amplifiers, as well as the embedding of a stylistically diverse sound material in a warm, analog, full resonance space, created by precisely controlled feedback.
Unlike the first album of the duo, recorded during a concert in the Brain in Bydgoszcz, on "Dolce Tsunami" we will meet with studio material, which with its sound strongly differs from the connections with free jazz or freely interpreted African music, inspired by techniques and the way of structural thinking, characteristic for the sound art scene. This is due to the concentration of both artists on the topic of amplification of acoustic instruments using piezoelectric transducers or guitar amplifiers, as well as the embedding of a stylistically diverse sound material in a warm, analog, full resonance space, created by precisely controlled feedback.