Les Arts Florissants, William Christie - Lully - Les divertissements de Versailles (2002)

  • 22 Jun, 20:33
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Artist:
Title: Lully - Les divertissements de Versailles
Year Of Release: 2002
Label: Erato disques
Genre: Classical, Opera
Quality: FLAC (image+.cue,log,scans)
Total Time: 78:10
Total Size: 450 Mb
WebSite:

Tracklist:

01. Psyche - prelude pour les trompettes
02. Psyche - Chantons les plaisirs charman
03. Lamour medecin - Quittons notre vaine querelle
04. Georges Dandin - Chantons tous de lamour
05. Armide - enfin il est en ma puissance
06. Les plaisirs de Ille enchantee - Chere Climene, dis-moi
07. Isis - Je vous aime, nymphe charmante, & Plainte du Dieu Pan
08. Isis - Duo des nymphes
09. Georges Dandin - Laisse-nous en repos, Philene
10. Isis - Scene du froid Lhiver qui nous tourmente
11. Isis - Scene des forges Que le feu des forges s'allume
12. Ballet des Muses - Trop indiscret Amour
13. Roland - Ah! Jattendrai longtemps
14. Armide - Armide, vous m'allez quitter, Passacaille

Performers:
François BAZOLA, basse
Boris GRAPPE, basse
Olivier LALLOUETTE, basse
Cyril AUVITY, haute-contre
Laurent SLAARS, taille
Isabelle OBADIA, dessus
Paul AGNEW, haute-contre
Rinat SHAHAM, dessus
Emmanuelle HALIMI, dessus
Sophie DANEMAN, dessus

Choeur et Orchestre des Arts Florissants
Direction musicale - William Christie

This superb recording of the compositions of Lully for the court of Louis XIV is almost perfect in delivery; evoking the sophistication, wit, grandeur, humor that would be required to entertain the most demanding of monarchs amidst the most sophisticated court in Europe. The character of Lully is fascinating. Lully was an Italian actor, dancer and musician who becomes the central creative force in music theatre in the court of the Sun King. However it is the flawless music that is contained in this recording that should be heard. With use of period instruments William Christie and Les Arts Florissants paint a range of compositions from various operas and periods in Lully's career in the court of the Sun King. The ten vocalists have absolute control of the material, evoking the type of control that must have been necessary in the performances at court. In L'Amour Medecin, Comedy, Music, and Ballet sing together: "Let us three unite with zeal unrivalled." Certainly this was Lully's philosophy and vocation. In Georges Dandin we hear the followers of Love debate the followers of Bacchus as to whether Love or Drink is the greatest pleasure. The themes of erotic and romantic love appear to be those that Lully realized would best entertain the court. In Armide we have the lines: "The world lies at the feet of this young hero. How could one think he was born for nothing but war? He seems made for love." Mythological themes and sweet seduction are also frequent themes as in Isis where Pan sings: "Throw your vain fears to the winds! Put love and its charms to the test." The themes of seduction, romance, erotic love permeate the works, here presented with a structured and calculated text that does not give the singers permission to over-interpret. Such grand music, controlled themes and texts, must be a reflection of the atmosphere of power in the court of Louis XIV. Working within this confine of taste, order, and temporal power, Lully was a master and these works reflect that creativity of a composer who fully embraces the need to please and entertain in a politically safe manner as a central motivation for his efforts. Les Arts Florissants does a wonderful job re-creating these highly polished entertainments.