The Manhattan Transfer – Tonin' (1994) FLAC
Artist: The Manhattan Transfer
Title: Tonin'
Year Of Release: 1995
Label: Atlantic
Genre: Jazz, Jazz Vocal, Standards, Pop
Quality: Flac lossless
Total Time: 51:28
Total Size: 411 MB
WebSite: Album Preview
TracksTitle: Tonin'
Year Of Release: 1995
Label: Atlantic
Genre: Jazz, Jazz Vocal, Standards, Pop
Quality: Flac lossless
Total Time: 51:28
Total Size: 411 MB
WebSite: Album Preview
01. Let's Hang On (with Frankie Valli)
02. Groovin' (with Felix Cavaliere)
03. It's Gonna Take A Miracle (with Bette Midler)
04. I Second That Emotion (with Smokey Robinson)
05. La-La Means I Love You (with Laura Nyro)
06. Too Busy Thinking About My Baby (with Phil Collins)
07. The Thrill Is Gone (with Ruth Brown & B. B. King)
08. Hot Fun In The Summertime (with Chaka Khan)
09. Along Comes Mary
10. Dream Lover (with James Taylor)
11. Save The Last Dance For Me (with Ben E. King)
12. The Manhattan Transfer - God Only Knows
The idea on Tonin' was to turn the Manhattan Transfer loose on a baker's dozen of good old 1960s pop and R&B hits in league either with the original artists or prominent guests from that period and beyond. And yes, it's a stellar list, guaranteed to stir warm and fuzzy memories, and the tunes echo the old lament of an earlier age, "they don't write songs like they used to." For almost any other vocal group, this would be an entertaining coup, yet for the hugely gifted, compulsively adventurous Transfer, this is just a detour into the tent of nostalgia that they had long outgrown (though they would do better in the retro arena with 1997's buoyant Swing). Moreover, they really have nothing new to bring to these tunes; they serve as background singers to Smokey Robinson on his "I Second That Emotion," to Felix Cavaliere on his "Groovin'," or -- good grief -- Phil Collins subbing for Marvin Gaye on "Too Busy Thinking About My Baby." Indeed, "The Thrill Is Gone" can serve as its own epitaph; even with B.B. King's authentic guitar obbligato and Ruth Brown's rap, the Transfer's smooth vocal harmonies turn this gritty blues into pap. However gutsy Arif Mardin's productions were in Atlantic's 1960s heyday, he just goes through the crisp-sounding motions here.
Richard S. Ginell
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