Tabea Debus, Jonathan Rees, Alex McCartney - Ohrwurm (2020) [Hi-Res]

  • 26 Aug, 13:49
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Artist:
Title: Ohrwurm
Year Of Release: 2020
Label: Delphian
Genre: Classical
Quality: FLAC (tracks) / 24bit-44.1kHz FLAC (tracks+booklet)
Total Time: 01:10:16
Total Size: 308 / 663 MB
WebSite:

Tracklist:

01. Ciaconna (After Bertali, Merula & Monteverdi) (3:59)
02. Rinaldo, HWV 7b: Lascia ch'io pianga (Arr. for Voice Flute, Viola da gamba & Theorbo) (4:12)
03. Violin Sonata in D Minor, Op. 1 No. 10 (Excerpts Arr. for Recorder, Viola da gamba & Theorbo): I. Adagio (1:48)
04. Violin Sonata in D Minor, Op. 1 No. 10 (Excerpts Arr. for Recorder, Viola da gamba & Theorbo): II. Allegro - III. Adagio (3:21)
05. Oboe Concerto in D Minor (Arr. A. McCartney for Recorder, Viola da gamba & Theorbo): II. Adagio (3:24)
06. Les folies d'Espagne (Arr. T. Debus for Recorder, Viola da gamba & Theorbo) (8:48)
07. Vuestros ojos tienen d'amor (Arr. for Recorder, Viola da gamba & Guitar) (1:20)
08. Caffeine (4:02)
09. Fandango in D Minor, R. 146 (Arr. T. Debus for Recorder, Viola da gamba & Guitar) (5:48)
10. Violin Sonata in G Minor, Op. 5 No. 5: V. Gigue (Arr. for Recorder, Viola da gamba & Theorbo) (2:05)
11. La suave melodia (Arr. for Recorder & Theorbo) (3:03)
12. Une jeune fillette (Arr. for T. Debus for Recorder, Viola da gamba, Theorbo & Guitar) (5:32)
13. Spagnoletta (Arr. for Recorder, Viola da gamba & Guitar) (1:19)
14. When Daphne Did from Phoebus Fly (Arr. for T. Debus for Recorder, Viola da gamba, Theorbo & Guitar) (5:53)
15. King Arthur, Z. 628: Fairest Isle (Arr. for Voice Flute, Viola da gamba & Theorbo) (2:26)
16. Can She Excuse My Wrongs, P. 42 (Arr. for Recorder, Viola da gamba & Theorbo) (1:23)
17. Auld Bob Morrice (Arr. for Recorder & Viola da gamba) (1:47)
18. Siroe, re di Persia, HWV 24: Jig (Arr. for Recorder, Viola da gamba & Theorbo) (2:05)
19. Diaries of the Early Worm (5:12)
20. Lamento di Tristano - La rotta (3:00)

Melodies that emerge from musical folk memory or jump off the printed page to lodge themselves in the listener’s mind: such ‘earworms’ are the raison d’être of this inventive album, effervescent and haunting by turn.

Rising talent Tabea Debus makes an immediate impression as she joins the roster of Delphian house artists, coaxing an astonishing spectrum of moods and timbres from an array of Renaissance and Baroque recorders. Equally astounding is the tightness and responsiveness of her interaction with gamba player Jonathan Rees and lutenist Alex McCartney, while solos for recorder alone bookend the programme chronologically with music from the fourteenth century and the twenty-first.


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