Dina Ugorskaja - Bach . Chopin (2020) [Hi-Res]
Artist: Dina Ugorskaja
Title: Bach . Chopin
Year Of Release: 2020
Label: CAvi-music
Genre: Classical
Quality: FLAC (tracks) / 24bit-44.1kHz FLAC (tracks+booklet)
Total Time: 67:27
Total Size: 203 / 545 MB
WebSite: Album Preview
Tracklist:Title: Bach . Chopin
Year Of Release: 2020
Label: CAvi-music
Genre: Classical
Quality: FLAC (tracks) / 24bit-44.1kHz FLAC (tracks+booklet)
Total Time: 67:27
Total Size: 203 / 545 MB
WebSite: Album Preview
01. 15 Inventiones, BWV 772-786: No. 1 in C Major, BWV 772 (1:38)
02. 15 Inventiones, BWV 772-786: No. 2 in C Minor, BWV 773 (1:34)
03. 15 Inventiones, BWV 772-786: No. 3 in D Major, BWV 774 (1:32)
04. 15 Inventiones, BWV 772-786: No. 4 in D Minor, BWV 775 (0:40)
05. 15 Inventiones, BWV 772-786: No. 5 in E flat Major BWV 776 (1:44)
06. 15 Inventiones, BWV 772-786: No. 6 in E Major, BWV 777 (3:28)
07. 15 Inventiones, BWV 772-786: No. 7 in E Minor, BWV 778 (2:27)
08. 15 Inventiones, BWV 772-786: No. 8 in F Major, BWV 779 (0:52)
09. 15 Inventiones, BWV 772-786: No. 9 in F Minor, BWV 780 (5:14)
10. 15 Inventiones, BWV 772-786: No. 10 in G Major, BWV 781 (1:12)
11. 15 Inventiones, BWV 772-786: No 11 in G Minor, BWV 782 (1:25)
12. 15 Inventiones, BWV 772-786: No. 12 in A Major, BWV 783 (1:05)
13. 15 Inventiones, BWV 772-786: No. 13 in A Minor, BWV 784 (1:05)
14. 15 Inventiones, BWV 772-786: No. 14 in B flat Major, BWV 785 (1:14)
15. 15 Inventiones, BWV 772-786: No. 15 in B Minor, BWV 786 (1:50)
16. 24 Préludes, Op. 28: No. 1 in C Major. Agitato (0:36)
17. 24 Préludes, Op. 28: No. 2 in A Minor. Lento (2:12)
18. 24 Préludes, Op. 28: No. 3 in G Major. Vivace (0:55)
19. 24 Préludes, Op. 28: No. 4 in E Minor. Largo (2:03)
20. 24 Préludes, Op. 28: No. 5 in D Major. Allegro molto (0:36)
21. 24 Préludes, Op. 28: No. 6 in B Minor. Lento assai (2:03)
22. 24 Préludes, Op. 28: No. 7 in A Major. Andantino (0:48)
23. 24 Préludes, Op. 28: No. 8 in F-Sharp Major. Molto agitato (2:07)
24. 24 Préludes, Op. 28: No. 9 in E Major. Largo (1:22)
25. 24 Préludes, Op. 28: No. 10 in C-Sharp Minor. Allegro molto (0:32)
26. 24 Préludes, Op. 28: No. 11 in B Major. Vivace (0:36)
27. 24 Préludes, Op. 28: No. 12 in G-Sharp Minor. Presto (1:19)
28. 24 Préludes, Op. 28: No. 13 in F-Sharp Minor. Lento (3:19)
29. 24 Préludes, Op. 28: No. 14 in E-Flat Minor. Allegro (0:32)
30. 24 Préludes, Op. 28: No. 15 in D-Flat Minor. Sostenuto (5:32)
31. 24 Préludes, Op. 28: No. 16 in B-Flat Minor. Presto con fuoco (1:10)
32. 24 Préludes, Op. 28: No.17 in A-Flat Major. Allegretto (3:03)
33. 24 Préludes, Op. 28: No. 18 in F Minor. Allegro molto (1:05)
34. 24 Préludes, Op. 28: No. 19 in E-Flat Major. Vivace (1:26)
35. 24 Préludes, Op. 28: No. 20 in C Minor. Largo (3:08)
36. 24 Préludes, Op. 28: No. 21 in B-Flat Major. Cantabile (1:58)
37. 24 Préludes, Op. 28: No. 22 in G Minor. Molto agitato (0:48)
38. 24 Préludes, Op. 28: No. 23 in F Major. Moderato (1:00)
39. 24 Préludes, Op. 28: No. 24 in D Minor. Allegro appassionata (2:35)
The very last release with Dina Ugorskaja, who passed away in September 2019 aged 46. The programme includes the 24 Preludes op.28 by Chopin and J.S. Bach's Inventions.
"J. S. Bach's Inventions unfortunately still regarded as mere exercises have fascinated me since my childhood thanks to their incredibly refined wealth of ideas, particularly when it comes to just two voices, where it is up to the player to discover how able you really have to be in order to master the task.
Standing in contrast to this is one of the most challenging cycles in piano music, in both a musical and a technical sense Chopin's Preludes, with their rapid changes between different, and at times highly polarised, feelings and sentiments; a synthesis imbibed with disarming naturalness that makes it almost impossible for a performance to bring out the music itself and not the interpreter.
The tension between the deceptive straightforwardness of Bach and the simplicity required by the complexity of Chopin, for me, makes this an exciting combination." - DINA UGORSKAJA
"J. S. Bach's Inventions unfortunately still regarded as mere exercises have fascinated me since my childhood thanks to their incredibly refined wealth of ideas, particularly when it comes to just two voices, where it is up to the player to discover how able you really have to be in order to master the task.
Standing in contrast to this is one of the most challenging cycles in piano music, in both a musical and a technical sense Chopin's Preludes, with their rapid changes between different, and at times highly polarised, feelings and sentiments; a synthesis imbibed with disarming naturalness that makes it almost impossible for a performance to bring out the music itself and not the interpreter.
The tension between the deceptive straightforwardness of Bach and the simplicity required by the complexity of Chopin, for me, makes this an exciting combination." - DINA UGORSKAJA
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