Dagmar Pecková - Wanted / Songs of Kurt Weill (2017)

Track listing:

01. Dagmar Peckova - Surabaya Johnny
02. Dagmar Peckova - Youkali
03. Dagmar Peckova - Der Abschiedsbrief
04. Jiři Hajek - Berlin im Licht
05. Dagmar Peckova - Das Lied von den braunen Inseln
06. Dagmar Peckova - Zuhalterballade
07. Dagmar Peckova - Die Seerauber-Jenny
08. Dagmar Peckova - Barbarasong
09. Dagmar Peckova - Je ne t?aime pas
10. Dagmar Peckova - Denn wie man sich bettet, so liegt man
11. Dagmar Peckova - Alabama Song
12. Jiři Hajek - Buddy on the Nightshift
13. Dagmar Peckova - I'm a Stranger Here Myself
14. Dagmar Peckova - Kanonensong
15. Dagmar Peckova - Die Moritat von Mackie Messer

"We cannot approach opera from the position of snobbish dismissal. We cannot write operas while at the same time lamenting the deficiencies of the genre. We must fulfil our own ideal by making use of that which the stage has to offer," so wrote Kurt Weill in 1926. At the time, he had just begun seeking a new musical genre, one that would supersede the conventional opera. The resounding success of Die Greigroschenoper proved that the path he had taken was the right one; the new genre emerged at an appropriate time, and it seemed that the audience had been waiting for opera's resurgence too. The adventurous journey Weill pursued for half a century, led from Germany to Paris and finally to New York City. The result of his efforts were considerable simplification of the musical idiom, inspiration by pop and jazz, and the assignment of the vocal parts to actors without traditional professional voice training. It was a true revolution. And that represented a challenge for the mezzo-soprano Dagmar Pecková, who throughout her illustrious career has appeared on the world's most prominent stages as an artist acclaimed as a refined performer of music by Mozart, Mahler, Bizet ... An artist who, however, never contents herself with academism and empty form. One of her dreams, to make an album of Kurt Weill's songs, has now come true, 25 years after she portrayed at the Stuttgart Opera the lead female role in the opera Aufstieg und Fall der Stadt Mahagonny. The singular poetics of Weill's songs, a fabulous orchestra and splendid arrangements blending classical music and jazz - and, of course, Dagmar Pecková, who has never been "just" a diva, but a singer who makes her dreams come true and does everything with great enthusiasm.

Kurt Weill according to Dagmar Pecková. Songs that touch the very centre of the heart.