Hans-Jörg Mammel, Gli incogniti, Amandine Beyer - Pachelbel: Un orage d'avril (2016) [Hi-Res]

Tracklist

01. Musikalische Ergötzung, Suite in C Major, P. 374: I. Sonata
02. Musikalische Ergötzung, Suite in C Major, P. 374: II. Aria
03. Musikalische Ergötzung, Suite in C Major, P. 374: III. Treza
04. Musikalische Ergötzung, Suite in C Major, P. 374: IV. Ciacona
05. Wie nichtig? Ach! Wie flüchtig, P. 500
06. Musikalische Ergötzung, Suite in C Minor, P. 371: I. Sonata
07. Musikalische Ergötzung, Suite in C Minor, P. 371: II. Gavotte
08. Musikalische Ergötzung, Suite in C Minor, P. 371: III. Treza
09. Musikalische Ergötzung, Suite in C Minor, P. 371: IV. . Aria
10. Musikalische Ergötzung, Suite in C Minor, P. 371: V. Saraband
11. Musikalische Ergötzung, Suite in C Minor, P. 371: VI. Gigue
12. Das Gewitter im Aprilen, P. 75
13. Musikalische Ergötzung, Suite in B-Flat Major, P. 375: I. Sonata (Adagio)
14. Musikalische Ergötzung, Suite in B-Flat Major, P. 375: II. Aria
15. Musikalische Ergötzung, Suite in B-Flat Major, P. 375: III. Courant
16. Musikalische Ergötzung, Suite in B-Flat Major, P. 375: IV. Gavotte
17. Musikalische Ergötzung, Suite in B-Flat Major, P. 375: V. Saraband
18. Musikalische Ergötzung, Suite in B-Flat Major, P. 375: VI. Gigue
19. Musikalische Ergötzung, Suite in G Major, P. 450: I. Sonatina
20. Musikalische Ergötzung, Suite in G Major, P. 450: II. Allemand
21. Musikalische Ergötzung, Suite in G Major, P. 450: III. Gavott
22. Musikalische Ergötzung, Suite in G Major, P. 450: IV. Courant
23. Musikalische Ergötzung, Suite in G Major, P. 450: V. Aria
24. Musikalische Ergötzung, Suite in G Major, P. 450: VI. Saraband
25. Musikalische Ergötzung, Suite in G Major, P. 450: VII. Gigue
26. Musikalische Ergötzung, Suite in G Major, P. 450: VIII. Finale adagio
27. Mein Leben, dessen Creutz für mich, P. 360
28. Musikalische Ergötzung, Suite in E-Flat Major, P. 372: I. Sonata (Allegro)
29. Musikalische Ergötzung, Suite in E-Flat Major, P. 372: II. Allemand
30. Musikalische Ergötzung, Suite in E-Flat Major, P. 372: III. Courant
31. Musikalische Ergötzung, Suite in E-Flat Major, P. 372: IV. Gavotte
32. Musikalische Ergötzung, Suite in E-Flat Major, P. 372: V. Saraband
33. Musikalische Ergötzung, Suite in E-Flat Major, P. 372: VI. Gigue
34. Musikalische Ergötzung, Suite in E Minor, P. 373: I. Sonata
35. Musikalische Ergötzung, Suite in E Minor, P. 373: II. Aria
36. Musikalische Ergötzung, Suite in E Minor, P. 373: III. Courant
37. Musikalische Ergötzung, Suite in E Minor, P. 373: IV. Aria
38. Musikalische Ergötzung, Suite in E Minor, P. 373: V. Ciacona
39. Guter Walther unser Raths, P. 391
40. Musikalische Ergötzung, Suite in F Major, P. 370a: I. Sonata (Allegro)
41. Musikalische Ergötzung, Suite in F Major, P. 370a: II. Allemand
42. Musikalische Ergötzung, Suite in F Major, P. 370a: III. Courant
43. Musikalische Ergötzung, Suite in F Major, P. 370a: IV. Ballet
44. Musikalische Ergötzung, Suite in F Major, P. 370a: V. Saraband
45. Musikalische Ergötzung, Suite in F Major, P. 370a: VI. Gigue
46. O großes Musenliecht, P. 391
47. Canon & Gigue, P. 37: I. Canon a 3 Violinis con Basso c.
48. Canon & Gigue, P. 37: II. Gigue



Though the two bars of bass of a certain celebrated 'Canon' have made Pachelbel probably the most widely performed composer in the streets of the whole world, this sparkling programme invites you to make new discoveries in his oeuvre. It is built around suites (Partien) for two violins and continuo, from the Musikalische Ergötzung. The title means ‘musical delight’, and indeed one cannot but be ravished by the extraordinary sonic hedonism displayed by these works, the most important surviving testimony to the instrumental output of Pachelbel. A few songs, sung by Hans-Jörg Mammel, written for special occasions add further spice to this wonderfully free music.

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