Gesualdo Consort Amsterdam & Harry van der Kamp - Sweelinck: The Secular Vocal Works (2009)

  • 07 Dec, 06:38
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Artist:
Title: Sweelinck: The Secular Vocal Works
Year Of Release: 2009
Label: Glossa
Genre: Classical
Quality: FLAC (image + .cue, log, artwork)
Total Time: 3:22:35
Total Size: 832 MB
WebSite:

Tracklist:

Disc 1
01. Susanne un jour, a5, SwWV 208
02. Tu as tout seul, a5, SwWV 247
03. Plus tu cognois, a5, SwWV 210
04. Regret, soucy et peine, a5, SwWV 211
05. Regret, soucy et peine, a6 (version for voice and gamba quintet)
06. Jeune beauté, a5, SwWV 209
07. Vostre amour, a5, SwWV 205
08. Bouche de Coral, a5, SwWV 207
09. Bouche de Coral, a2, SwWV 207a (with lute)
10. Pourquoy tournez vous, a5, SwWV 214
11. La belle que je sers, a5, SwWV 215
12. L’Aubespin, a5, SwWV 204
13. Quand je voy ma Maitresse, a5, SwWV 202
14. Je sens l’ardeur, a5, SwWV 201
15. Face donques qui voudra, a5, SwWV 216
16. Au mois de May, a5, SwWV 217 (with lute)
17. Je ne fay rien, a4, SwWV 248
18. Je sens en moy, a5, SwWV 218
19. Tes beaux yeux, a4, SwWV 246
20. Sus, je vous prie, a5, SwWV 206
21. Elle est à vous, a5, SwWV 203
22. Depuis le jour, a5, SwWV 212
23. Si j’ayme ou non, a5, SwWV 213

Disc 2
01. Chi vuol veder quantunque può natura a 6, SwWV 249
02. Garrula rondinella a 2, SwWV 229
03. Morir non può il mio core a 5 (Giovanni Maria Nanino 1543/44-1607)
04. Morir non può il mio core a 2, SwWV 227
05. Liquide perle Amor a 5 (Luca Marenzio 1553/54-1599)
06. Liquide perle Amor a 2, SwWV 225
07. Amor, io sento un respirar si dolce a 6 (Giovanni de Macque 1548/50-1614)
08. Amor, io sento un respirar si dolce a 3, SwWV 241
09. Dolcissimo ben mio a 6 (Andrea Gabrieli c.1510-1586)
10. Dolcissimo ben mio a 3, SwWV 242
11. Per te rosa gentile a 3, SwWV 236
12. Qual vive Salamandra a 6 (Luca Marenzio)
13. Qual vive Salamandra in fiamma ardente a 3, SwWV 240
14. Poi che voi non volete a 5, SwWV 252
15. Vaga gioia amorosa, bocca bella, e pregiata a 3, SwWV 238
16. Che giova posseder cittadi e regni a 2, SwWV 228
17. Lascia filli mia cara a 3, SwWV 234
18. Hor che soave l’aura a 4, SwWV 250
19. Ma donna con quest’ occhi a 6, SwWV 251
20. Dolci labri amorosi portieri a 3, SwWV 239
21. Facciam, cara mia file, un concento a 3, SwWV 235
22. Io mi son giovinetta a 4 (Domenico Ferrabosco 1513-1574)
23. Io mi son giovinetta a 2, SwWV 226
24. Ricco amante son io, per voi tesore mio a 3, SwWV 244
25. Un sol bacio ti dono, ingrata, e ti lamenti a 3, SwWV 237
26. Sponse Musarum genus et sacerdos a 5, SwWV 190

Disc 3
01. Sine Cerere et Baccho, canon a 4, SwWV 198
02. Un jour l’aveugle Amour a 3, SwWV 232
03. Marchans qui traversez tout le rivage More a 2, SwWV 224
04. Mon Dieu, que j’ayme ma Deesse a 3, SwWV 233
05. Courante, SwWV 335 (for lute)
06. Yeux, qui guidez mon ame en l’amoureux voyage a 3, SwWV 231
07. Rozette, pour un peu d’absence a 4, SwWV 245
08. Marchans qui traversez tout le rivage More, SwWV 224 (for recorders)
09. Voicy du gay Printemps a 2, SwWV 223
10. Las! que me sert a 2, SwWV 219
11. Volte (for lute)
12. Lors que le trait a 2, SwWV 221
13. Je voy mille clairtez et mille choses belles a 3, SwWV 230
14. Volte (for lute)
15. Tes beaux yeux causent mon amour a 2, SwWV 246
16. Je pars, non point de vous a 2, SwWV 220
17. Voicy du gay Printemps, SwWV 223 (for recorders)
18. Mon Dieu, que j’ayme ma Deesse a 3, SwWV 233
19. Volte (for lute)
20. Jamais n’avoir, et tousjours desirer a 3, SwWV 243
21. Sine Cerere et Baccho, canon a 4, SwWV 198

Harry van der Kamp and an expert group of singers and instrumentalists from the Gesualdo Consort Amsterdam have achieved what few specialist ensembles before them have even attempted: a complete survey of the vocal music of Jan Pieterszoon Sweelinck, the ‘Orpheus of Amsterdam’. Sweelinck's reputation has undergone a curious reversal in modern times.Today he has become best appreciated for his teaching and his keyboard works - and for having laid the foundations of the North German organ school which remained influential until the time of JS Bach.Yet, in the 17th century (he died in 1621) he was better known for his vocal output: French chansons, Italian madrigals as well as polyphonic settings of all 150 Psalms. Van der Kamp, a noted teacher and a celebrated soloist himself, directs here the beginning of what plans to be a fitting monument to this Dutch master.This first release on Glossa covers the entirety of Sweelinck's secular vocal works, one of the glories of the young Dutch Republic and which occupied much of his compositional activity in the two decades around the turn of the 17th century.